Ep. 248: Yulia Brodskaya episode artwork

EPISODE · Sep 15, 2026 · 1H 54M

Ep. 248: Yulia Brodskaya

from Artifice · host Artifice Podcast by Emily Merrell

Renowned paper artist Yulia Brodskaya is redefining the boundaries of the centuries-old craft of paper quilling. Originally trained as a graphic designer and illustrator, her journey into paper began almost by accident. In spelling her name “YULIA” with strips of paper in her very first paper artwork, she unknowingly set out to reinvent the centuries-old craft, pioneering a technique of drawing with paper strips—representing each drawn with an edge-glued strip that lifts the drawing into the third dimension. Soon after discovering her unique voice, Brodskaya earned international recognition for her innovative paper illustrations and was named Creative Review magazine’s “Breakthrough Star” of 2009. Her early work focused primarily on paper typography, quickly attracting an extraordinary roster of clients. Over the following years, she completed more than 200 commissions and collaborations, working with renowned brands including Neiman Marcus, Hermès, Issey Miyake, Wimbledon, Paramount Pictures, and The Balvenie. Yet alongside this commercial success, Brodskaya continued to explore the deeper expressive potential of paper. Gradually, her focus shifted toward portraiture and natural forms, where she could fully develop her signature technique of Painting with paper. Her book Painting with Paper — Paper on the Edge documents this pioneering technique, revealing how tightly folded paper strips can function like 3-dimentional brushstrokes, with colours blended and layered in a process analogous to mixing paint on a palette. The result is work that possesses all the richness of painting, while adding the tactile presence and dimensionality. Through her teaching and sharing of these methods, Brodskaya has inspired a global community of paper artists. Many have been able to follow in her footsteps, developing their own practices and livelihoods through this medium—first by learning to “draw” with paper, and now by exploring its full painterly and expressive potential. Today, her work continues to evolve. Her latest portrait experiments blur the boundary between paper quilling and Impressionist painting, demonstrating the extraordinary capacity of paper to convey light, emotion, and human presence. Through her hands, paper transforms from a simple material into a living medium, giving rise to a unique visual language the art world has never seen before. https://www.instagram.com/yulia_brodskaya_artyulia/ www.artyulia.com www.yuliacourses.com

Episode metadata supplied by the publisher feed · Published Sep 15, 2026

Embed this episode

Ready to play

Ep. 248: Yulia Brodskaya

0:00 1:54:23

No transcript for this episode yet

We transcribe on demand. Request one and we'll notify you when it's ready — usually under 10 minutes.

No similar episodes found.

Who’s afraid of realism? London Review of Books What’s the difference between realism and the real? James Wood look at novels and short stories from Flaubert and Dostoevsky up to contemporary writers including Amit Chaudhuri and Gwendoline Riley as he examines the uncertain line between artifice and artificiality and the techniques and effects used in fiction to achieve the lifelike.James Wood is a contributor to the London Review of Books, staff writer at The New Yorker and Professor of the Practice of Literary Criticism at Harvard University. His books include ‘How Fiction Works’, ‘The Fun Stuff’ and ‘The Broken Estate’.Non-subscribers will only hear extracts from the episodes. To listen in full, and to all our other Close Readings series, sign up:Apple Podcasts: https://lrb.me/applecrwaorOther podcast apps: https://lrb.me/closereadingswaorBooks featured in the series:Gustav Flaubert, Madame Bo Narrative Machines James Curcio: Artist / Author A podcast on memetics, myth and propaganda: how our narratives define the limits of our political and personal identity, how any era of civilization may be consigned to myth just as it was defined by it. Drawing on over a decade of interdisciplinary research, this podcast examines how ideas spread through the internet, shaping perceptions, reshaping societal norms, and constructing identities and politics—often without conscious awareness. By analyzing the narratives we create, consume, and reinterpret, Narrative Machines offers a timely exploration of the influence of narratives, encouraging listeners to reflect on how myths shape their lives, both consciously and unconsciously.Previous drafts of many of these ideas were published in 2017 in Narrative Machines (Mythos Media), in 2020 in Masks: Bowie & Artists of Artifice (Intellect/ University of Chicago), and various web publications. It is presented here in audio format for the first time with ad Card Table Artifice Card Table Artifice This podcast is all about sleight of hand with cards and also card table artifice

Frequently Asked Questions

How long is this episode of Artifice?

This episode is 1 hour and 54 minutes long.

When was this Artifice episode published?

This episode was published on September 15, 2026.

Can I download this Artifice episode?

Yes. Use the download control on the episode player to save the publisher-provided media file.
URL copied to clipboard!