Ep 47: William Orbit thinks in milliseconds
from My Forever Studio Hosted by William Orbit, Chris Barker, Will Betts, William Mark Wainwright, William Wainwright
William Orbit is a true music legend. He’s sold over 200 million recordings of his work, has won Grammys, Ivor Novellos and has worked with stars like Madonna, Blur, Britney and Queen. Now he’s returned to the studio and has a new album out called The Painter. In this episode find out how he shaped the sound for ‘Ray of Light’, what he thought of Pro Tools when it first came out and which single hardware synth he’d take with him to his Forever Studio. Season 4 is sponsored by EVO by Audient: https://evo.audio/ STUFF WE TALK ABOUT (SPOILERS!) https://www.jameshockley.com/ https://en.wikipedia.org/wiki/Atari_ST https://www.apple.com/sg/shop/buy-mac/macbook-pro/16-inch-space-grey-10-core-cpu-32-core-gpu-1tb https://focusrite.com/en/usb-c-audio-interface/clarett-plus/clarett-plus-8pre https://www.avid.com/pro-tools https://www.drawmer.com/products/60s-series/1960-mic-pre-vacuum-tube-compressor.php https://reverb.com/item/763983-fairchild-670 https://lexiconpro.com/en/products/pcm70 https://en.wikipedia.org/wiki/Wendy_Melvoin https://en.wikipedia.org/wiki/Adamski https://en.wikipedia.org/wiki/Trevor_Horn https://reverb.com/item/55407768-korg-sdd-3000-digital-delay-famous-original-rack-version https://www.uaudio.com/review/korg-sdd-3000-digital-delay/ https://en.wikipedia.org/wiki/Benny_Andersson https://www.vintagesynth.com/roland/juno106.php https://musictech.com/reviews/roland-juno-series/ https://www.jameshockley.com/ https://www.gibson.com/en-US/Guitar/ACCFR6729/Hummingbird-Original/Antique-Natural https://www.bonhams.com/auctions/23527/lot/72/ https://en.wikipedia.org/wiki/Katie_Melua
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William Orbit is a true music legend. He’s sold over 200 million recordings of his work, has won Grammys, Ivor Novellos and has worked with stars like Madonna, Blur, Britney and Queen. Now he’s returned to the studio and has a new album out called The Painter. In this episode find out how he shaped the sound for ‘Ray of Light’, what he thought of Pro Tools when it first came out and which single hardware synth he’d take with him to his Forever Studio.
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