EPISODE · Apr 6, 2021 · 29 MIN
Ep263 - Drew Dernavich, Cartoonist for The New Yorker & Wired
from Creative Principles · host Creative Principles Podcast
Early in his studies, Drew Dernavich was bewildered by the many paths to become an artist, and the many interpretations of what makes art good or bad. This led him to a more simple path: creating humorous art such as a one-panel cartoon. Recently, Drew’s work was featured in Seth Godin’s book, The Practice, which showcased his ability to be prolific, eventually becoming one of the most published cartoonists in The New Yorker in recent years, even though the majority of his submissions are often get rejected. In this interview, Drew talks about the difference between a Jackson Pollock painting and a cartoon, how to balance creative work with paid work early in a career, how The New Yorker taught him to be funny, and how to make your daily work a practice to build a fulfilling career. If it’s your first time listening, make sure to subscribe and visit my new website for information on the YouTube channel, the blog, this podcast, and my new book ‘Ink by the Barrel’ which takes advice from these 200+ interviews at the link below… Join the email list here: www.brockswinson.com Follow us on Instagram for updates: @brockswinson If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!
What this episode covers
Early in his studies, Drew Dernavich was bewildered by the many paths to become an artist, and the many interpretations of what makes art good or bad. This led him to a more simple path: creating humorous art such as a one-panel cartoon. Recently, Drew’s work was featured in Seth Godin’s book, The Practice, which showcased his ability to be prolific, eventually becoming one of the most published cartoonists in The New Yorker in recent years, even though the majority of his submissions are often get rejected. In this interview, Drew talks about the difference between a Jackson Pollock painting and a cartoon, how to balance creative work with paid work early in a career, how The New Yorker taught him to be funny, and how to make your daily work a practice to build a fulfilling career. If it’s your first time listening, make sure to subscribe and visit my new website for information on the YouTube channel, the blog, this podcast, and my new book ‘Ink by the Barrel’ which takes advice from these 200+ interviews at the link below… Join the email list here: www.brockswinson.com Follow us on Instagram for updates: @brockswinson If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!
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Ep263 - Drew Dernavich, Cartoonist for The New Yorker & Wired
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