EPISODE · Dec 17, 2022 · 29 MIN
Ep387 - Gabe Liedman, Screenwriter ‘Big Mouth,’ ‘Kroll Show,’ ‘Brooklyn Nine-Nine’
from Creative Principles · host Creative Principles Podcast
Gabe Liedman got his start doing stand-up. Because people were familiar with his voice, he started getting writing jobs on shows like Inside Amy Schumer, Kroll Show, Brooklyn Nine-Nine, PEN15, Broad City, and Big Mouth. In this interview, Gabe talks about branding yourself with sexuality, not being fearful about your comedy, how TV shows misrepresent the writers room, why movements are stretched in network television, and how there’s freedom in “hand-crafted projects.” Subscribe for video interviews on YouTube: www.youtube.com/c/CreativePrinciples?sub_confirmation=1 If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!
What this episode covers
Gabe Liedman got his start doing stand-up. Because people were familiar with his voice, he started getting writing jobs on shows like Inside Amy Schumer, Kroll Show, Brooklyn Nine-Nine, PEN15, Broad City, and Big Mouth. In this interview, Gabe talks about branding yourself with sexuality, not being fearful about your comedy, how TV shows misrepresent the writers room, why movements are stretched in network television, and how there’s freedom in “hand-crafted projects.” Subscribe for video interviews on YouTube: www.youtube.com/c/CreativePrinciples?sub_confirmation=1 If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!
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Ep387 - Gabe Liedman, Screenwriter ‘Big Mouth,’ ‘Kroll Show,’ ‘Brooklyn Nine-Nine’
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