Ep543: Remembering Rozz Williams & Christian Death

Rikk Agnew, James McGearty, and David Glass share stories about Rozz Williams & Christian Death, the making of Only Theater of Pain, and completing his final recorded wish with the new song Flowers. Tickets for April 18 movie premiere and music reunion event Topics Include: Rikk Agnew, James McGearty, and David Glass remember Rozz Williams together. Rozz described as mysterious, enigmatic, and a deeply misunderstood artist. Rozz excelled across poetry, music, visual art, and assemblage work. He scratched images into 8mm film cells as experimental art. Rozz was a chameleon, constantly reinventing his look and sound. Christian Death began as a punk band before Rikk joined. Rikk's arrival catapulted Rozz's darker, more mystical artistic vision. Much of Only Theater of Pain was created spontaneously in-studio. Rozz unveiled his poetry to the band for the first time recording. A violent storm set an eerie tone during the vocal sessions. Rozz recorded in a candlelit booth — a truly otherworldly performance. The vocal track was lost; nobody could explain why it didn't record. The released vocals paled against what was actually performed that night. The entire album artwork and layout was hand-drawn by Rozz himself. Lisa Fancher of Frontier financed the record; the band were teenagers. Catastrophe Ballet launched in Europe first; Death Wish emerged mysteriously unauthorised. Only Theater of Pain's influence grew gradually, now considered truly seminal. Rozz's final wish was a full-band studio recording of Flowers. Rikk, James, and David completed Flowers separately, finding it deeply emotional. Romeo's Distress documentary premieres April 18th with a live reunion performance. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide