Episode 170: Art is Another Word for Truth: On Orson Welles's 'F for Fake' episode artwork

EPISODE · May 29, 2024 · 1H 26M

Episode 170: Art is Another Word for Truth: On Orson Welles's 'F for Fake'

from Weird Studies · host SpectreVision Radio

Orson Welles made F for Fake in the early seventies, while still bobbing in the wake of a Pauline Kael essay accusing him of being cinema's greatest fraud. Ostensibly a documentary on the famous art forger Elmyr de Hory and his biographer Clifford Irving (a talented faker in his own right), the film blurs the line between fact and fiction in an effort to explore art's weird entanglement with illusion, magic, and ultimately, the search for truth. This is a film unlike any other, and it is arguably Welles's most important contribution to the evolution and theory of film aesthetics. Join the Weirdosphere online learning community by enrolling in Phil and J.F.'s inaugural course, [THE BEAUTY AND THE HORROR](www.weirdosphere.org), starting June 20th. Support us on Patreon. Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia. Visit the Weird Studies Bookshop Find us on Discord Get the T-shirt design from Cotton Bureau! RERERENCES Orson Welles, F for Fake Gilles Deleuze Cinema 2 Elmyr de Hory, art forger Clifford Irving, American writer Howard Hughes, American aerospace engineer David Thomson, Biographical Dictionary of Film David Thomson, Rosebud: The Story of Orson Welles Pauline Kael, Raising Kane “War of the Worlds” radio drama The Farm Podcast, “Horror Hosts, Films & Other Strange Realities w/ David Metcalfe, Conspirinormal & Recluse” Orson Welles - Interview with Michael Parkinson (BBC 1974) Geoffrey Cornelius, Cornelius Victoria Nelson, Secret Life of Puppets Lionel Snell, My Years of Magical Thinking Sokal affair, hoax Werner Herzog, “Minnesota Declaration” Learn more about your ad choices. Visit megaphone.fm/adchoices

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Episode 170: Art is Another Word for Truth: On Orson Welles's 'F for Fake'

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