Episode 182: The Polyphonic Motets of Lassus episode artwork

EPISODE · Dec 15, 2019 · 1H 15M

Episode 182: The Polyphonic Motets of Lassus

from I Hear of Sherlock Everywhere · host I Hear of Sherlock Everywhere

“he returned refreshed to his monograph upon the Polyphonic Motets of Lassus” [BRUC]  Perhaps you recall Watson mentioning in the midst of "The Bruce-Partington Plans" that Sherlock Holmes took his mind off of things while waiting for crucial information by losing himself "in a monograph which he had undertaken upon the Polyphonic Motets of Lassus." Perhaps you've wondered who Lassus was. That would be Orlande de Lassus (or Orlando di Lasso), a Renaissance composer, who along with Palestrina, was one of the most influential musicians of the late 16th century. But what did a "polyphonic motet" sound like? And what were these motets composed for? And why should Sherlock Holmes have an interest in them? We have the answer to all of these questions and more from Ann Margaret Lewis, herself a Sherlockian and a soprano who performs liturgical music. Ann joins us to get us hooked on phonics, to explain the relevance of this beautiful music, and to identify a clip from the Jeremy Brett Granada series. Also, tune in for the latest Canonical Couplet. We have another opportunity for you to win a prize in this episode. Information on sponsors, links, and notes available below. Please do consider becoming a Patron of the Arts. Your support helps us to ensure we can keep doing what we do, covering file hosting costs, production, and this year, transcription services. SponsorsWessex Press is our lead sponsor. They've been with us for nearly the entire run. Please visit their site and let them know you found them via I Hear of Sherlock Everywhere. We have room for more than one sponsor. If you're interested in advertising with us, you can find more information here. Let's chat! Download [Save As] | File size 34.4 MB, 1:15:14 LinksThis episode: ihose.co/ihose182Works of Orlande de Lassus (Hyperion)Orlande de Lassus (Wikipedia)Ann's other books:The Watson ChroniclesMurder in the VaticanWarrior of the Kizan Many more links, articles and images are available in our Flipboard magazine at ihose.co/flipsherlock as well as through our accounts on Facebook, Instagram, and Twitter. Please subscribe on the podcast provider of your choosing:Apple Podcasts, Google Podcasts, RadioPublic, Soundcloud, Stitcher, iHeartRadio or Spreaker — or perhaps another we haven't listed here — and be kind enough to leave a rating and review for the show. And please tell a friend about us, in any fashion you feel comfortable. Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at (774) 221-READ (7323). TranscriptWe've slipped a bit: we're just shy of our goal of $100 per episode level on Patreon. Please consider contributing a dollar or two a month to help us bring transcripts to the hearing-impaired. Transcript will be here soon. But you need to help. --

“he returned refreshed to his monograph upon the Polyphonic Motets of Lassus” [BRUC]  Perhaps you recall Watson mentioning in the midst of "The Bruce-Partington Plans" that Sherlock Holmes took his mind off of things while waiting for crucial information by losing himself "in a monograph which he had undertaken upon the Polyphonic Motets of Lassus." Perhaps you've wondered who Lassus was. That would be Orlande de Lassus (or Orlando di Lasso), a Renaissance composer, who along with Palestrina, was one of the most influential musicians of the late 16th century. But what did a "polyphonic motet" sound like? And what were these motets composed for? And why should Sherlock Holmes have an interest in them? We have the answer to all of these questions and more from Ann Margaret Lewis, herself a Sherlockian and a soprano who performs liturgical music. Ann joins us to get us hooked on phonics, to explain the relevance of this beautiful music, and to identify a clip from the Jeremy Brett Granada series. Also, tune in for the latest Canonical Couplet. We have another opportunity for you to win a prize in this episode. Information on sponsors, links, and notes available below. Please do consider becoming a Patron of the Arts. Your support helps us to ensure we can keep doing what we do, covering file hosting costs, production, and this year, transcription services. SponsorsWessex Press is our lead sponsor. They've been with us for nearly the entire run. Please visit their site and let them know you found them via I Hear of Sherlock Everywhere. We have room for more than one sponsor. If you're interested in advertising with us, you can find more information here. Let's chat! Download [Save As] | File size 34.4 MB, 1:15:14 LinksThis episode: ihose.co/ihose182Works of Orlande de Lassus (Hyperion)Orlande de Lassus (Wikipedia)Ann's other books:The Watson ChroniclesMurder in the VaticanWarrior of the Kizan Many more links, articles and images are available in our Flipboard magazine at ihose.co/flipsherlock as well as through our accounts on Facebook, Instagram, and Twitter. Please subscribe on the podcast provider of your choosing:Apple Podcasts, Google Podcasts, RadioPublic, Soundcloud, Stitcher, iHeartRadio or Spreaker — or perhaps another we haven't listed here — and be kind enough to leave a rating and review for the show. And please tell a friend about us, in any fashion you feel comfortable. Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at (774) 221-READ (7323). TranscriptWe've slipped a bit: we're just shy of our goal of $100 per episode level on Patreon. Please consider contributing a dollar or two a month to help us bring transcripts to the hearing-impaired. Transcript will be here soon. But you need to help. --

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“he returned refreshed to his monograph upon the Polyphonic Motets of Lassus” [BRUC]  Perhaps you recall Watson mentioning in the midst of "The Bruce-Partington Plans" that Sherlock Holmes took his mind off of things while waiting for crucial...

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