Episode 23 - Slaves and Masters

Evelyn Marsh says goodbye, Ben shouts his final battle cry, and Windom's gift is terrifying. Cooper makes a big break through in the case of "Who Shot Me?", but the answer he gets leaves him in a bit of a quandary with Sheriff Truman since, well...*ahem* MEANWHILE, Albert returns to grace our screen and bring terrible news that Windom Earle is absolutely coming for Coop. Threats abound and Coop's taken to wearing flannels. Whatever is going to happen? Is Cooper being a terrible friend to Truman? Did Diane Keaton really direct the worst episode in the history of Twin Peaks? Also: Evelyn takes charge (and gallops off our screen for good!) Ben Horne has a Dorothy moment! Ed and Norma let Nadine into bed...sort of! And guess who's coming to dinner at the Blue Pine Lodge? We've slaved away through the Season 2 doldrums and now we're lifting the veil of darkness that's settled over it all since the reveal of Laura's killer. And we're so fortunate to have friend of the podcast and all-around superfan & superguy John (@jpb_littlegreen) to help us pick up the pieces and lead us into the rising action driving us toward the finale! You ready for this? It's Twin Peaks S2E15: "Slaves and Masters" Notes: Here's a link to @NoShipNetwork's "Sparkwood and 21" podcast, which we highly encourage fans of this show to check out. Em & Steve do a fantastic job breaking down the big topics (check out our guest John and his "timequake" theory in S&21's The Secret History of Twin Peaks episode!) and incorporate listener feedback, which is always awesome! Here's a link to the Sparknotes plot synopsis of Samuel Beckett's "Endgame"--you tell us, listeners, is this what's being acted out between Leo and Windom in the woods outside Twin Peaks? And here's a link to the Ken Burns' Civil War series--a must-watch for history buffs, but if you're a history buff, you don't need us to tell you about it! Who is that chess player? Well, he's José Raúl Capablanca, duh! For a primer on some of the ways in which David Lynch allows the Wizard of Oz to permeate his work, here is a quick PopOptiq article that outlines the myriad references to L Frank Baum's immortal children's book in Lynch's hyper sexual and uber violent Wild at Heart And here is the Wiki article about the aesthetic (philosophy) tenet known as the Uncanny Valley