Episode 29: "Human Moments in World War III" episode artwork

EPISODE · Sep 8, 2025 · 1H 55M

Episode 29: "Human Moments in World War III"

from Don DeLillo Should Win the Nobel Prize · host Jeffrey Severs & Michael Streit

In Episode 29, DDSWTNP go to space to get a good look at the earth in a time of war, turning to one of DeLillo’s greatest short stories, “Human Moments in World War III,” first published in July 1983. We examine this tale of two future astronauts who have become soldiers for its strategic engagement with the tropes of science fiction, its eerie portrayals of the so-called “Overview Effect” available from a spacecraft window, and its compression and renewal of motifs from Americana, End Zone, and Ratner’s Star. Nostalgia, patriotism, history, the soldier’s mindset in following inhuman commands, and even the role of poetry and voice – all these come to be recast in DeLillo’s shrewd take on an era of “Star Wars” defense initiatives, a Cold War giving way to hot wars, and very tricky ways out of Mutually Assured Destruction. Along the way we read the 1980s thoughts of an expert on lasers in space, consider what it means to have an alien perspective on one’s earthly home and diurnal rhythms, and speculate on connections between “Human Moments” and White Noise still to come.  Texts referred to and discussed in this episode: Don DeLillo. “Human Moments in World War III.” Published in Esquire (July 1983) and reprinted in The Angel Esmeralda (2011). Philip M. Boffey. “Laser Weapons: Renewed Focus Raises Fears and Doubts.” New York Times, 9 March 1982. https://www.nytimes.com/1982/03/09/science/laser-weapons-renewed-focus-raises-fears-and.html Summary of the Overview Effect: https://en.wikipedia.org/wiki/Overview_effect The first scene of War Games (1983): https://www.youtube.com/watch?v=s6aCpS0-yls Our intro’s clip of DeLillo reading from “Human Moments in World War III” comes from this October 2012 event at the New York Public Library: https://www.nypl.org/audiovideo/angel-esmeralda-don-delillo-conversation-jonathan-franzen The interlude sound effect is from Burns and Allen, featuring Ray Noble, “Rah Rah in Omaha” (1940).

In Episode 29, DDSWTNP go to space to get a good look at the earth in a time of war, turning to one of DeLillo’s greatest short stories, “Human Moments in World War III,” first published in July 1983. We examine this tale of two future astronauts who have become soldiers for its strategic engagement with the tropes of science fiction, its eerie portrayals of the so-called “Overview Effect” available from a spacecraft window, and its compression and renewal of motifs from Americana, End Zone, and Ratner’s Star. Nostalgia, patriotism, history, the soldier’s mindset in following inhuman commands, and even the role of poetry and voice – all these come to be recast in DeLillo’s shrewd take on an era of “Star Wars” defense initiatives, a Cold War giving way to hot wars, and very tricky ways out of Mutually Assured Destruction. Along the way we read the 1980s thoughts of an expert on lasers in space, consider what it means to have an alien perspective on one’s earthly home and diurnal rhythms, and speculate on connections between “Human Moments” and White Noise still to come.

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Episode 29: "Human Moments in World War III"

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In Episode 29, DDSWTNP go to space to get a good look at the earth in a time of war, turning to one of DeLillo’s greatest short stories, “Human Moments in World War III,” first published in July 1983. We examine this tale of two future astronauts...

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