Episode #315 – Musician Relief Funds, Fender Stops Using Ash, And Composer Joe Renzetti

My guest on this episode is Joe Renzetti, who started in the studio band of the Cameo Parkway label in Philadelphia playing on hits like “Let’s Twist Again,” “South Street,” Palisades Park,” and “Limbo Rock.” He then moved to New York where he worked as an arranger on huge hits like “Sunny” by Bobby Hebb and Barry Manilow’s breakout hit “Mandy.”After a move West, Joe immediately found success in Hollywood, winning an Academy Award for The Buddy Holly Story, and scoring a wide variety of films and television shows. He won accolades for his scores on horror films like Dead & Buried, Poltergeist III, and Child’s Play, and many others.During the interview we spoke about being in the Wrecking Crew of Philadelphia, recording in mono, arrangers as mixers, making the transition from session musician to composer, and much more.On the intro I’ll take a look at new government funding to help musicians and artists, and Fender no longer using ash in its guitars.Ad link: Explore The Mixing Engineer’s Handbook (6th Edition), the go-to guide for modern mixing.Thank you for tuning in to Bobby Owsinski’s Inner Circle, the podcast that takes you deep inside the music industry. Each week, Bobby shares insights, news, analysis, and conversations with the movers and shakers shaping today’s music world.📌 Explore Bobby’s best-selling books🎙️ Nail that pro vocal sound: clear, upfront, and mix-ready. Learn how in Bobby’s Vocal Mixing Mini-Course🎧 Discover more mixing and production courses📲 Follow Bobby for more tips, insights, and updates:FacebookLinkedInInstagramBluesky🎙️ New episodes release every Tuesday at 9AM Pacific on YouTube and your favorite podcast app.Music. Business. Creativity. Straight from the Inner Circle.Produced by APodcastGeekhttps://apodcastgeek.com/