EPISODE · Dec 18, 2020 · 1H 38M
Episode 32: 14032 R Strauss: Feuersnot, Op. 50
from Classical Music Discoveries · host Classical Music Discoveries
Feuersnot (Need for (or lack of) fire), Op. 50, is a Singgedicht (sung poem) or opera in one act by Richard Strauss. The German libretto was written by Ernst von Wolzogen, based on J. Ketel's report "Das erloschene Feuer zu Audenaerde". It was Strauss' second opera. Thematically, the opera has been interpreted as a parody of Richard Wagner's idea of "redemption through love", with the character of Kunrad representing Strauss himself. The conceptual framework for the opera stems from the Nietzschean perspective that had inspired Strauss in his tone poems Till Eulenspiegel and Also sprach Zarathustra. Strauss and von Wolzogen shared the view that the source of inspiration was material not transcendental: in Feuersnot it is "redemption through sex" which relights the creative fire. Joana Filipe Martinez, conductor/producer CMD Grand Opera Company of Barcelona Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p489/R_Strauss%3A_Feuersnot%2C_Op._50.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html [email protected]
What this episode covers
Feuersnot (Need for (or lack of) fire), Op. 50, is a Singgedicht (sung poem) or opera in one act by Richard Strauss. The German libretto was written by Ernst von Wolzogen, based on J. Ketel's report "Das erloschene Feuer zu Audenaerde". It was Strauss' second opera. Thematically, the opera has been interpreted as a parody of Richard Wagner's idea of "redemption through love", with the character of Kunrad representing Strauss himself. The conceptual framework for the opera stems from the Nietzschean perspective that had inspired Strauss in his tone poems Till Eulenspiegel and Also sprach Zarathustra. Strauss and von Wolzogen shared the view that the source of inspiration was material not transcendental: in Feuersnot it is "redemption through sex" which relights the creative fire. Joana Filipe Martinez, conductor/producer CMD Grand Opera Company of Barcelona Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p489/R_Strauss%3A_Feuersnot%2C_Op._50.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html [email protected]
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Episode 32: 14032 R Strauss: Feuersnot, Op. 50
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