Episode 4. I know myself better, thanks to Corona

The turn of the year marks a low point in the students’ resilience and morale. The school has lost the sense of home it previously gave them. With little to engage with outside of P.A.R.T.S. and with the diversity of the problems of the students highlighted, tensions can run high. But through this hardship, friendships also become more profound. And the students experience that growing up is first and foremost: learning to live with yourself. Classes and music featured in this Episode: 1. Rhythm, Michael Schmid 2. Contemporary technique, Laura Aris, to music of Roger Marín 3. Singing, Lucy Grauman, Ach Elslein, Lieber Elslein of Ludwig Senfl 4. Workshop Cunningham technique, Cédric Andrieux, to live piano by Pieter Smout 5. Ballet, Douglas Becker, to live piano of Bart Van Bulck 6. Contemporary technique, Cassiel Gaube 7. Trio presentation of Zoé, Eleni and Macarena, to Joseph Haydn string quartet The Seven Last Words of Our Saviour on the Cross, live by Ellen Van Neste, Ine Van Dyck, Saar Van Bergen and Emiel Vertongen 8. Rhythm,  Kaja Farszky on triangle 9. Contemporary technique, Laura Aris, to music of Samir Kadribašić for Under The Eyelids of Zagreb Dance Company * We are still waiting for the permission to use A Love Supreme by John Coltrane in this Episode. As soon as we get it, a new version will be uploaded.  P.A.R.T.S.Concertgebouw BruggeKaaitheaterPACT ZollvereinSTUKDe SingelDansens Hus OsloEtceteraVlaamse Gemeenschap Brussels Hoofdstedelijk GewestVlaamse Gemeenschapscommissie BrusselDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.