EPISODE · Aug 30, 2017 · 56 MIN
Episode 40: Contemporary in Context
from Painted Bride Quarterly’s Slush Pile · host Painted Bride Quarterly
On this week’s episode of Slush Pile, the editors consider three poems by John Blair: “Degrees,”“Pink Noise,” and “The Giving Tree.” John Blair has published six books (most recently Playful Song Called Beautiful, University of Iowa Press, 2016) and several articles on the dangers of oak wilt in the Texas hill country. He is a professor… On this week’s episode of Slush Pile, the editors consider three poems by John Blair: “Degrees,”“Pink Noise,” and “The Giving Tree.” John Blair John Blair has published six books (most recently Playful Song Called Beautiful, University of Iowa Press, 2016) and several articles on the dangers of oak wilt in the Texas hill country. He is a professor in the English Department at Texas State University, where he directs the undergraduate creative writing program. With three unique poems by John Blair, we find ourselves in a surprising discussion and rather spirited debate on widely varying topics. While at times syntax and structure left us feeling like we were on a slippery slope with “Degrees,” at others, we were simply impressed with the intellect that a poem could convey. (You can find the episode of Invisibilia, the source of Jason’s and Kathy’s heated debate over perception, here.) The same goes for Blair’s “Pink Noise,” what we read as an accurate portrayal of the frustrating wakefulness of insomnia and the distractions one might face in the pursuit of a peacefulsleep. (Once again, Kathy tells us how much she loves sleeping with Scooter from the Sleep With Me Podcast.) And, perhaps the most different of all, “The Giving Tree” sparked a debate on classic versus contemporary and the platform for paying homage to the former. Tune in for the conversation and the verdicts. And don’t forget to let us what you think about this episode on Facebook and Twitter using #70Percent! Present at the Editorial Table: Kathleen Volk Miller Tim Fitts Marion Wrenn Sharee DeVose Jason Schneiderman Engineering Producer: Amber Ferreira ----------------------------- Degrees They say there are just six between any two of anyone for as far as random can reach which of course is everywhere sincere to centigrade dolor to doctorate ad to infinitum. So much of how much is who’s looking. Here’s a small slice of lightness to lift a wave to touch every other wave wherever there is water to well and cool and slide into green depths where the sunlight fades in such slow degrees you have to close your eyes to even know it’s gone. Pink Noise Is just white noise with all the higher frequencies polished down like mountains worn to humble or close enough to count sheer as wine-stains purpling the skin of your sleepless going on—it’s supposed to be soothing so you listen like you were good-boy told to do in the small wees of waiting for your mind to go on without you into dreaming but those little bumps are voices and they are breathless with glee and the best you can do is listen and try not to argue about your better self your good intentions all the ways you’ve managed so many years to sleep easily and well among the pale beasts of worry who watch and wait neither blood nor snow but a mist of in- between with teeth ground down to spindles to gnaw your nervy edges into stubborn wakefulness like a tree you’ve climbed to watch the other kids play blind to what’s coming what’s been what might in some other when matter and no one notices your presence or your lucid absence or the pastel grumbling of wind in the treetops or the boughs beginning like morning light to break. The Giving Tree Doesn’t care for your gifts or your attitude frankly and wonders why you beg and grovel boy when all she wants is to be left the hell alone because there are no apples here only thorns and her wood is her own and she’s just fine exactly where she is and the woods are no place for the faithless likes of you anyway which is why they had to put up that gate to keep you out and set a bouncer with a burning ever-turning sword to tell you you’re not welcome in your fig leaves and weeping wounds. She’s here for a reason but that reason isn’t you and the junk hidden in her trunk is just squirrels’ nests and fairy bones and those birds who loiter love her in ways you never do so trust her when she tells you she has no need for a needy boy like you.
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Episode 40: Contemporary in Context
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