Episode 438: The Show Must Go On—Even If It’s Trying to Kill You?

Adam arrives at this week’s episode suffering from meat sweats and a pair of thoroughly abused shins. Dan is helping his daughter learn bass, Adam’s son has discovered what a $3,500 Dingwall feels like, and Chicago bassist Eric Baines would really like Adam to learn how to sight-read.Then we get into the considerably less wholesome subject of musicians getting hurt at work.After Adam took a fall backstage at a July 4th event, we asked the Cover Band Central community for their worst gig-injury stories. Nearly 600 responses revealed everything from cuts and bad backs to electrocution, heat illness, collapsing equipment, crowd violence and musicians attempting to finish sets during medical emergencies.We sort those stories into the hazards musicians may be able to mitigate themselves and the dangers created by venues, promoters, production companies and unsafe working conditions.Along the way, we ask why musicians are so willing to prioritize finishing the set over their own health—and why legitimate workplace injuries are so often repackaged as funny gig war stories.Also discussed:• The difficulty of explaining skills stored in muscle memory• Expensive instruments and irresponsible parenting• Load-in being harder than the actual performance• The alarming absence of first-aid and safety planning• Knowing when “the show must go on” has gone too far• Stage falls, risers and unmarked hazards• The dreaded electrified microphone• Outdoor shows with no shade or heat plan• Security failures and unwanted people onstage• The role of contracts, insurance and collective bargainingResources for working bands: coverbandconfidential.com/links