Episode 50. Tim Lapthorn (Piano) - 'Yesterdays'

Geoff sits down with the wonderful jazz pianist, composer and arranger Tim Lapthorn to trace how his ear led him from pop songs and a battered copy of the Real Book to a deep, personal approach to jazz harmony and improvisation. We talk about everything from recording at Abbey Road, a session with Ron Carter and returning after a long pause, and the chord choices that make a standard suddenly sound alive.He shares what changed when he arrived in London for the Guildhall postgraduate jazz course, how the London jazz scene shaped his comping and voicings, and what it’s like doing hundreds of gigs at Ronnie Scott’s with top rhythm sections night after night.Tim opens up about a long break in recording, depression, family life, and how that experience reshaped his relationship with risk on stage. Then we get practical: reharmonising the Jerome Kern/Otto Harbach 1930’s standard ‘Yesterdays’ (accompanied by Quartet of course), the logic of chord substitutions, and a final reveal of his favourite chord a bold G7 voicing with clashing-sounding tensions that somehow lands beautifully when you hear the internal relationships.When Geoff asks about “playing outside”, Tim’s answer is simple and demanding: one improvised idea should lead naturally to the next if you truly listen while you play. That mindset connects directly to confidence and mental health, too. Tim explains how surviving very low periods changes your perspective on performance, making it easier to take chances because a wrong note is not a disaster.If you care about jazz harmony, piano voicings, improvisation, and learning standards in a real-world way, hit subscribe, share the episode with a musician friend, and leave us a review so more listeners can find the show.Presenter: Geoff GascoyneSeries Producer: Paul SissonsProduction Manager: Martin SissonsThe Quartet Jazz Standards Podcast is a UK Music Apps production.