Episode 599: Devon Sold a Guitar for THIS?

Real Life This week's episode begins the way many of our weeks began: confused, slightly annoyed, and one hour short on sleep thanks to the time change. Ben kicks things off by voicing what everyone is feeling — daylight saving time is rough. Losing an hour never gets easier, and the collective fog hangs over the whole episode like a mild but persistent headache. Devon isn't exactly escaping the chaos either. Between a hockey game down in Louisiana and spring break activities with the kids, his schedule is all over the place. Add the time shift on top of that and it's a miracle anyone is awake enough to record. Ben quickly pivots into defending Starfleet Academy, which he insists is a "tremendously good show." According to him, the loudest critics clearly aren't watching it. During the conversation Steven realizes he somehow made it this far in life without fully understanding what the Omega Particle is, which becomes a small but hilarious rabbit hole. Meanwhile the group grumbles about the Voyager game releasing day-one DLC — a move that feels more than a little gross. Steven brings a literary palate cleanser to the table. After wrestling with the famously labyrinthine House of Leaves, he recommends another unsettling architectural mystery: Strange Houses by Uketsu. If eerie homes and unsettling mysteries are your thing, it might be worth checking out here: https://www.barnesandnoble.com/w/strange-houses-uketsu/1146276773 Ben contributes a strange internet gem called Pricemaster, a bizarre and hypnotic video that quickly becomes one of those "you just have to see it" moments during the episode. If you want to experience the same confusion we did, you can watch it here: https://youtu.be/CUmmxW7Ksc8?si=6s1IRr2FuGy72Zo8 Devon then unveils the real headline of the Real Life segment: a brand-new guitar amp. He picked up a Fender Mustang GTX 100, and the excitement level is off the charts. The amp includes digital modeling, built-in Wi-Fi, Bluetooth connectivity, and an accompanying app that lets him endlessly tweak tones. Devon is talking about it so much that it raises a bigger question — he actually sold a guitar to buy the amp. If you know Devon, that's a shocking development. Future or Now Ben kicks off this segment with a fascinating animated project called Arco, produced by Natalie Portman. The story follows a ten-year-old boy from the year 2932 who isn't supposed to time travel yet. Naturally, he steals a time-travel cape and gemstone, aiming for the age of dinosaurs… and instead crash-lands in the year 2075. There he meets a girl named Iris and her robot nanny, and the unlikely trio may be the only ones who can prevent a global catastrophe. You can read more about the project here: https://collider.com/arco-streaming-online-natalie-portman/ Devon brings a science question that sounds simple but gets weird fast: why aren't mammals as colorful as reptiles, birds, or fish? If you look around the animal kingdom, mammals mostly stick to browns, blacks, and muted tones. The explanation has a lot to do with fur structure and evolutionary pressures — bright pigments are much easier to display in feathers, scales, and bare skin than in thick mammalian fur. The article that sparked the discussion is here: https://www.livescience.com/animals/why-arent-mammals-as-colorful-as-reptiles-birds-or-fish Steven rounds out the segment with something even stranger — humans secretly have stripes. Not visible stripes, unfortunately, but real biological patterns called Blaschko's lines. These lines emerge from the way skin cells divide and migrate during development. Under certain lighting conditions or medical circumstances, these patterns can actually appear, meaning everyone is walking around with hidden tiger stripes or cow-like patterns built into their skin. You can read more about that discovery here: https://www.sciencealert.com/humans-actually-have-secret-stripes-and-other-strange-markings Book Club Next week's reading is "What We Mean When We Talk About the Hole in the Bathroom" by Angela Liu, a title that raises several questions before you even start the story. If you want to read ahead with us, you can find it here: https://www.uncannymagazine.com/article/what-we-mean-when-we-talk-about-the-hole-in-the-bathroom/ This week the group dives into "Presence" by Ken Liu, which you can read here: https://www.uncannymagazine.com/article/presence/ The story centers on an elderly parent living abroad and the adult children trying to care for them remotely through telepresence technology. The discussion quickly expands beyond the story itself. The hosts talk about the stark contrast between elder care in America and in other countries where multi-generational households are more common. That leads into a broader conversation about American individualism — the cultural idea that success means leaving home, chasing opportunity, and building an independent life. While that independence can open doors, it also creates distance and sometimes loneliness. The technology in the story doesn't feel like science fiction for long. Telepresence robots and remote caregiving systems are already approaching the level shown in the story. The real question isn't whether the technology works — it's whether it can truly replace the sense of community and presence that people lose when families scatter across the world. It's a thoughtful and surprisingly emotional conversation that leaves everyone wondering what responsibility looks like in a world where being physically present isn't always possible.