Episode 95 – Bad-Ass Fusion Decapitations Part 3: Time to Kill

Herein we present the third and likely final installment of our Bad-Ass Fusion Decapitations series. We repeat two bands previously featured on other episodes (Kraan, King Crimson) and bring you eight more missives from the deepest cosmos. Watch that noggin of yours -- the headhunters are abound tonight! Note I: As noted within the episode, here’s that link to “Study the Greats”: https://www.youtube.com/watch?v=fIXBu_uoCQk Note II: As this is likely the final installment of Bad-Ass Fusion Decapitations, here are the first two, in case you missed them or want a refresher course: Part 1: https://www.radicalresearch.org/episode-5-ten-bad-ass-fusion-decapitations-mahavishnu-orchestra-return-to-forever-colosseum-area/ Part 2: https://www.radicalresearch.org/episode-73-bad-ass-fusion-decapitations-part-2/ Note III: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast We also have a webstore where you can find shirts, CDs, and books, many of them recently restocked: https://www.radicalresearch.org/shop/ Music cited in order of appearance: Al Di Meola, “Flight Over Rio” (Elegant Gypsy, 1977) Bruford, “Beelzebub” (Feels Good to Me, 1978) Ian Carr, “Remadione” (Belladonna, 1972) Ain Soph, “Crossfire” (A Story of Mysterious Forest, 1980) Transit Express, “Disparition” (Opus Progressif, 1976) Herbie Hancock, “Palm Grease” (Thrust, 1974) Kraan, “Rund Um Die Uhr” (Wiederhoren, 1977) King Crimson, “Neurotica” (November 22, 2017, Ann Arbor, Michigan) Mats/Morgan Band, “Min Hast” (Live, 2001, recorded 1999) Soft Machine, “Hazard Profile, Part Five” (Bundles, 1975) Episode 96 preview: Disillusion, “Don’t Go Any Further” (Gloria, 2006) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.