Episode 97 – Disembowelment Discography 1990-1993: A Burial In 14 Snippets

Is heaviness a quantifiable aspect of music? Can a piece of music display such weight, such heft, that the listener can only accept its heaviness as fact? Radical Research says “Yes,” and we are here to offer evidence. For our 97th episode, we take our second trip down under to survey the concise but mighty discography of Disembowelment. We invite you to join us as we dig into the cryptic horrors of this otherworldly music. But be warned: research rarely gets this heavy.  Note I: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast We also have a webstore where you can find shirts, CDs, and books, many of them recently restocked: https://www.radicalresearch.org/shop/ Music cited in order of appearance: “Intro – Mourning September” (Mourning September demo, 1990) “Impoverished Filth” (Mourning September demo, 1990) “Thou Messiah” (Mourning September demo, 1990) “Extracted Nails” (Pantalgia – An International Death Metal Compilation, 1992) “River of Salvation (My Divine Punishment)” (Deep Sensory Procession into Aural Fate demo, 1991) “As Your Soul Befalls…” (Deep Sensory Procession into Aural Fate demo, 1991) “The Tree of Life and Death” (Transcendence into the Peripheral, 1993) “Your Prophetic Throne of Ivory” (Transcendence into the Peripheral, 1993) “Excoriate” (Transcendence into the Peripheral, 1993) “Nightside of Eden” (Transcendence into the Peripheral, 1993) “A Burial at Ornans” (Transcendence into the Peripheral, 1993) “The Spirits of the Tall Hills” (Transcendence into the Peripheral, 1993) “Cerulean Transience of All My Imagined Shores” (Transcendence into the Peripheral, 1993) “Outro” (Mourning September demo, 1990) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.