EPISODE · Sep 2, 2026 · 38 MIN
Epsiode 12: Built to Rotate: Reflexes Behind Turns, Spins, Flips, and Rotational Performance
from Performance Rewired · host Yuka Sugiura & Nikki Bybee
In this episode, we are breaking down some reflex systems that quietly shape balance, spotting, and rotational control in dance and gymnastics. The focus is on how the vestibular, visual, and proprioceptive systems work together, and why performance issues like chin drop, bobblehead movement, and unstable turns may be tied to reflexive responses rather than just technique. This glimpse into the neural is especially useful for coaches and athletes who want a more complete view of rotation, head control, and why some movement problems do not respond to the usual biomechanical cues. It also includes practical signs to look for in training and a few ways to think about neck and sensory system prep differently.Key topics• In this episode, we discuss why balance depends on three inputs - vision, somatosensory or proprioceptive input, and the vestibular system.• This is also a dive into the vestibulospinal reflex, the vestibulo-ocular reflex, the vestibulocollic reflex, and the cervical colic reflex as key systems behind upright posture, gaze stability, and head control.• Nikki shares how dropping the chin in pirouettes can be a reflexive safety response, not just a technical error.• Yuka explains how the vestibulo-ocular reflex helps keep the eyes stable during spotting in flips, turns, and spins.• We describe the vestibulocollic reflex as a major factor in keeping the head upright during running, vaulting, and other high-speed movement tasks.• Yuka shares the cervical colic reflex as a proprioceptive system driven by the neck muscles, especially the suboccipital muscles, which are extremely sensitive to motion.• They point out common clues in dancers and gymnasts, including chin tucking, head tilting, excess neck tension, trouble spotting, and unstable head position.• Both hosts emphasize that these reflexes are trainable and worth assessing in high-performance athletes.Timestamps03:24 - Why rotational athletes need head stability and gaze control04:49 - These reflexes are trainable capabilities, not just fixed traits 10:30 - Balance is built from vision, proprioception, and vestibular input 11:27 - Vestibulospinal reflex and why it helps keep you upright 11:52 - Vestibulo-ocular reflex and how it supports spotting12:18 - Vestibulocollic reflex and keeping the head stable in motion 13:31 - Reflexes as automatic safety systems, not technique problems16:12 - Nikki’s own gaze stabilization changes after VCR work17:24 - How the VOR supports spotting and rotational performance20:10 - Why ankle stability can have a vestibular component22:45 - The vestibulocollic reflex and how it supports head control24:28 - What a bobblehead head pattern can signal in athletes26:09 - Vestibulospinal reflex and trunk support during balance 29:10 - Cervicocollic reflex, neck proprioception, and head control32:44 - How these reflexes show up in dancers and gymnasts34:07 - Signs an athlete may need reflex tuning37:14 - Spotting drills, chin drop, and early signs in turn training41:00 - Why better reflex function improves safety and performance41:17 - Closing thoughtsResources and linksConnect with us:Yuka on Instagram (@levelupneuro)Nikki on Instagram (@bybee_nikki)For practical drills and movement strategies, check out the Performance Rewired YouTube channel.Subscribe to our newsletters:Yuka: LevelUp NewsletterNikki: Transformational Newsletter
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In this episode, we are breaking down some reflex systems that quietly shape balance, spotting, and rotational control in dance and gymnastics. The focus is on how the vestibular, visual, and proprioceptive systems work together, and why performance issues like chin drop, bobblehead movement, and unstable turns may be tied to reflexive responses rather than just technique. This glimpse into the neural is especially useful for coaches and athletes who want a more complete view of rotation, hea...
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Epsiode 12: Built to Rotate: Reflexes Behind Turns, Spins, Flips, and Rotational Performance
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