EPISODE · Aug 31, 2022 · 45 MIN
Eric Whitacre
from In Conversation · host 2MBS Fine Music Sydney
For Eric Whitacre, everything seems possible. The music of this Grammy-award winning composer and conductor has been performed in all corners of the world. He has united 100,000 singers in more than 145 countries for his ground breaking Virtual Choirs, his debut album as a conductor, Light and Gold, went straight to the top of the charts, and he’s even collaborated with NASA – his composition Deep Field having been inspired by the Hubble Telescope, leading him to work on a film seen at arts and science festivals across the globe.In this conversation, Eric talks about The Sacred Veil, which he is coming to Australia to conduct with the Sydney Philharmonia Choirs at the Sydney Opera House. We also hear insights about his composing and his unorthodox entry into the classical genre, the Virtual Choirs projects, his public speaking, plus he eloquently introduces a diverse selection of pieces which have inspired him over the years.Photo: Marc Royce
What this episode covers
For Eric Whitacre, everything seems possible. The music of this Grammy-award winning composer and conductor has been performed in all corners of the world. He has united 100,000 singers in more than 145 countries for his ground breaking Virtual Choirs, his debut album as a conductor, Light and Gold, went straight to the top of the charts, and he’s even collaborated with NASA – his composition Deep Field having been inspired by the Hubble Telescope, leading him to work on a film seen at arts and science festivals across the globe.In this conversation, Eric talks about The Sacred Veil, which he is coming to Australia to conduct with the Sydney Philharmonia Choirs at the Sydney Opera House. We also hear insights about his composing and his unorthodox entry into the classical genre, the Virtual Choirs projects, his public speaking, plus he eloquently introduces a diverse selection of pieces which have inspired him over the years.Photo: Marc Royce
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Eric Whitacre
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