EPISODE · Oct 6, 2017 · 1H 26M
extrashot32
from ExtraShot
In episode 32: In this sound recordists special, we finally get to talk with our old friend and mini-golf champion, Richard Eades. The role of the location sound recordist has gone through enormous changes over recent years. With the rise of 'shooting PD's' and return of 'separate sound', how has the job changed? Often expected to be a camera assistant or even now a DIT specialist, is this the best way to keep the diary full? We also discover the easiest way to wind-up your own sound recordist in the middle of a busy day! EVA, URSA, Venice, Amsterdam… lots to discuss from this years exciting IBC show, but which camera do we think is going to replace the FS7 as the default choice for Television production managers? As Steve returns from cycling in Turkmenistan, and the Monkey has to change his pension arrangements, Paul needs to know what settings will make his F5 look like a 1970's 8mm home movie camera? It really is a packed episode… enjoy. Steve & Paul Available on ExtraShot.co.uk Available on iTunes ExtraShot on YouTube ExtraShot on facebook Our twitters: @extrashotcafe @gomediavideo @paulream Links: Richard Eades - Linkline http://linklinecrew.com/wp-content/uploads/2016/01/Eades.pdf Ravensbourne College https://www.ravensbourne.ac.uk BBC Screen Test https://en.wikipedia.org/wiki/Screen_Test One day to see Venice https://youtu.be/SxDzsue2Uc4 1st looks at the EVA1 https://youtu.be/NfJuz8Ox6uk
Embed this episode
Ready to play
extrashot32
No transcript for this episode yet
Similar Episodes
No similar episodes found.
Similar Podcasts
No similar podcasts found.