F1 General | Joe Unplugged | 171 | Why Don't We See More Americans on the F1 Grid?

Why have so few Americans made it to the Formula 1 grid in nearly 40 years of racing — and is the system designed to keep them out?In this episode, Dick and Sabrina sit down with Joe Saward, one of the sport's most independent voices and one of only five journalists who attended every F1 race in 2025 on his own dime. They dig into the infrastructure, economics, and cultural realities that separate American karting talent from the European development pipeline — and why the gap has less to do with speed than most fans assume.You'll hear why the path to F1 runs through Europe at age 13 or 14, what Red Bull, Ferrari, and Mercedes are actually investing in when they back a young driver, and how the American motorsport ecosystem — for all its strengths — creates incentives that work against F1 development. The conversation also uses Logan Sargeant as a case study: what went wrong, what it revealed about the gap between potential and performance, and what the next generation of American racers and their families need to understand before making the investment.If you've ever wondered why America dominates so many sports but keeps producing so few Formula 1 drivers, this is the conversation that actually answers it.Check out Joe online: JSBM Newsletter Grand Prix+The Green NotebookSend us Fan MailSupport the showHave episode feedback or ideas? Drop them a line at: [email protected] 2 Guys, A Girl, and F1 on Instagram.Check out Dick's karting documentary, Power Drive Vegas.Interested in Dick's return to kart racing? Check out, Begin Again.Thanks to all who have become members of the 2 Guys, A Girl, and F1 via our “Buy me A Coffee” page. This community is growing because of you.  To become a member, click here.Like the 2 Guys, A Girl, and F1 background music? It's "An Adventure Called Life" by Score Squad. It's available for purchase at Premium Beat.  Use referral code SNSAEDUB at checkout to get 25% off your first purchase.2025 Sound Engineers: Paul Douglas and Elena Richey