False Roles and Fictitious Selves in “The Awakening” by Kate Chopin

In the late 19th century, the “New Woman” was a term coined by Henry James for a particular kind of feminist who demanded freedom of behavior, dress, education, and sexuality. Out of that paradigm came “The Awakening,” a novel that scandalized critics upon its publication with its tale of New Orleans society wife Edna Pointellier, who tries to throw off the shackles of society’s expectations for women and follow her own passions. What might the novel have in common with a fairy tale? How do Edna’s artistic ambitions frustrate her role as a wife and mother? And do Edna’s efforts to cast off her so-called “fictitious self” and live honestly constitute a triumph or a tragedy? Wes & Erin discuss Kate Chopin’s 1899 novel. Thanks to our sponsor for this episode, NYU’s Tisch School of the Arts. Aspiring filmmakers and screenwriters can learn more about their online courses at tischpro.smashcut.com/subtext. Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email [email protected] to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website