As always, if this is your first time listening, welcome. Let's just move right past that. Wow, I was going to do something, I think that's almost as alienating, which would have been backwards, Guy Talk. Should we just record this whole podcast backwards?
Yeah. It's going to make sense here. Let's give it a shot. Well, we could do it now, or we could do it later when we do our Freddy Got Fingered episode.
Yeah. Looking forward, we're going to take a side snap into the middle of our Lynch run. We're going to slip a finger in there. One of Freddy's Swingers.
I mean, from one a turn to another, right? Absolutely. Well, what were you going to say? No, I was going to say, these movies make as much sense as each other.
Hey, I like that. Well, and we'll get to our cheese helmets and our sausages. But for now, we've got some cream corn to digest. That's right.
We've finished seasons one and two of Twin Peaks. We are Rob. Yeah. Would you walk with me?
Only there is. Calm a fire. Fire involved. Okay, we're watching the movie and well, we've watched the movie and the missing pieces.
A collection of deleted scenes, which I will say if you've seen the film and not watch the deleted scenes, highly recommend them for fans of knowing what's going on at all. Yeah. I mean, yeah. Some questions definitely get answered.
For sure. Yeah. For sure. And joining us to discuss this is the sort of Philip Jeffries of the elephant.
Or no, this isn't the elephant man. This is Antoine Peaks. This is right. Antoine.
Antoine Peaks. Melissa Jobin, welcome back. Hi. Yeah, I guess I am like Philip Jeffries.
You're kind of the Philip Jeffries here. You show up screaming on fire. Right. You show up.
Yeah. And then you talk some nonsense and then you just disappear. And here's the thing. Every time our listeners hear you, they soil their pants.
Yeah. And positively. It's a good thing. Right.
In a good way. Yeah. Yeah, of course. So, yeah.
So we're going to be talking about Firewalk with me from, was this 1992? Two. And the missing pieces from much later, 2016, I want to say. Just 2014, I think I read.
I could be right. Stay in your lane, Melissa. No, you're in it. 2014.
It is 2014. Yeah, yeah. You're right. Of course not shot in 2014.
Of course not. And I have to imagine was available for people to watch, just not all put together like that. I have to imagine. As like DVD bonuses or something.
Yeah, like that was never, those scenes were never seen until they put them together and made a whole second movie out of them. I remember people talking about the missing pieces, kind of how Dan was just talking about it where they were like, oh my God, this answers so many questions from the movie that nobody had any idea what was going on for 22 damn years. So, it'd been so helpful. So crazy to me is like, okay, so yeah, what's crazy to you, Dan?
Yeah. Let's get right into it. Okay, yes. No, well, what's crazy to me is like, so Firewalk with me could not have gotten a big release, right?
I mean, it did. No, it was the whole traditional movie roll out. Right. Yeah, I mean, it went to McDonald's, Tyen, Happy Meal, Tyen.
Yeah. Yeah. You get a rings, you get a commemorative glass where you go to drink it, but it's solid. And only when you pour it out away from your mouth, is it liquid again?
No, this, I think it was a can or con. Yeah. And I did see that there are some mixed opinions on whether or not the movie was booed. Yeah.
Yeah. Yeah. What a thing to not be certain about it. Right.
I could see that being a bit of a retcon though because, okay, I'll grant you this. The movie had a wide theatrical release, but surely it bombed. Oh, surely. Oh, yeah.
No, it did not do well. Yeah. A movie that's basically like an insert for a TV show that's happening way over there. It's a prequel to a TV show that ended on a cliffhanger and.
Unceremoniously. Yeah. Unceremoniously was canceled on a cliffhanger. A year later, David Lynch is like, I'm putting out the Twin Peaks movie, Firewalk with me and people have to imagine that.
They're going to get some closure. Dale Cooper is possessed by Bob. What the fuck? And then they go to see this and they're like, come on.
What is this? I mean, in no way is it satisfying. Even if you're there like, Oh, well, I love David Bowie. That's cool.
That's there. And then he walks in. Five minutes. Yeah, he's there for 30 seconds going, howdy, y'all.
This is. This is not the, this is no thin white Duke. Whatever his name is. Yeah.
And then you watch the missing pieces and you're like, Oh, wow, there's more of him. Yeah. But it's that scene where the guy shits his pants. Like it's really that like the most extra of him that you get.
Well, we get there is extra him like explaining where he's been, which they do like the, you can hear the audio in the, in the movie, but it's over like a lot of other things going on. It's kind of hard to hear. You know, you're not supposed to. They do, they do give us that extra scene where he like lays his head on the desk.
Cause it's so well. Yeah. Oh boy. Let me just tell you.
I did like that. Like he seemed like in the theatrical cut, he seems kind of just like a, not, not like Windham Earl, but similarly just like completely fried. Like he's just like off the reservation a little bit, right? Oh, he's just like deranged.
Yeah. But this, it's just like this guy's going through a lot. He can't. He's in his head.
Oh, yeah. His head's over there. Yeah. Yeah.
You really get a whole sense of how he like didn't, he almost didn't mean to get involved this much. Yeah. And that, I mean, that is sort of like the overarching thing with this movie. That's really cool.
You get a sense of just how not in control all of our human characters are. Totally. Like they are just, and like Laura, especially right? Like the whole thing with the show is like, it's the myth of Laura and like sort of peeling that back a little by little.
But this is like, I mean, I found this to be a very unpleasant time at the movies. Yeah. This is like, yeah, this is so fucking heavy. And my goodness, Cheryl Lee.
Yeah. Performance of a lifetime, give her the Oscar. Seriously, you know, we get in the TV show, whatever, there's like some like flashbacks of Laura, and then we have Cheryl Lee playing Maddie, of course, but there's never really like an extended, you know, really scenes with Laura. And to see this, for like the way that the show starts with like everybody's sort of like, you know, they're all in love with Laura and she's the homecoming queen and how could this possibly happen?
And then you watch this and you're like, Jesus Christ. Totally. Right. Like the sort of like reframing of like, like the love, the way people feel about Laura, like after she's dead, it becomes this very sort of like romanticized.
Yeah. I mean, it's like here. It's like just sleazy and horny and carnal. Yeah.
Like even the stuff with like, God help me, Jacoby, like, oh my God. Yeah, that's deleted scene. That is a deleted scene. But yes.
He's just stayed missing. Yeah. Right. Just being like, like the realization that he's like, you got any more tapes, babe, I need more tapes.
Tell me, tell me you love me. It was like 10 p.m. Any calls or anything. He's just like, I need to hear your voice.
Right. So weird. Very unprofessional. Very.
Maybe the least professional thing about it. Yeah. I know I do like how it kind of recontextualizes a lot of the characters here where like. Do you know, because I know you didn't like Bobby, Dan, I didn't really like Bobby in the original.
Do you feel more? Yeah. How do you feel about Bobby? Well, yeah.
Okay. Okay. By the end of season two, I feel like Bobby has sort of like straightened his shit out a little bit. And then, you know, this obviously goes back to before season one when he's like, full dipshit mode.
Yeah. The whole time we were watching the show, we had no idea that he had just killed a guy. Yeah. Right.
Yeah. Which like, I do think the funeral scene, right? That was all playing out. How like it's one thing if he kills someone and Laura is there and then Laura dies, right?
Like that's heavy enough. Sure. But for her to also be like mocking him the whole time and to never get closure on that. Yeah.
Like it's such an interesting little wrinkle to add in like. Yeah. He was pretty much only buying and dealing cocaine. So that Laura had a supply.
Yeah. Right. I mean, like, yeah, it was a, he was, it was not a lucrative operation. He was basically just like giving Laura $5,000 worth of cocaine at a time.
That was his whole plan. Yeah. Keep asking different coke dealers for $5,000 worth of cocaine. Yeah.
So to answer your question, no, no, but he's got a big heart to answer your question of how, how I feel about him. I mean, by the end of the series, I felt, I felt like he had kind of spun his wheels more than anybody. Right. Like he has that one moment with his dad, which of course is like a high point of the show.
But by the end of the series, I mean, he's like being fake Ben Horn and coaching. I mean, Shelley to win the Miss. Yeah, Miss one Pete's contest. And they have like that one little moment at the diner where they're just like sweet on each other or whatever.
Yeah. Well, she, Shelley kissed Gordon Cole and that made Bobby realize that he had to straighten up. Yeah. Well, this has been the subject of much debate on the show.
Did they kiss or not? Did they actually kiss or not? Like did the actor, you know, David Lynch and the Metronomic, did they actually touch lips? Because you don't, there, there isn't like an actual shot of them kissing.
It's like at, you know, kind of an unusual camera angle and they go in, but you don't see any contact. That's true. So the first time I watch, I mean, we talked about this, but the first time I watch it through, I'm like, David Lynch, you fucking you sleazeball. You're just wanted to smooch up at a dynamic.
Well, I think, I mean, if that's true, right, if they don't actually kiss, then that makes, like James Hurley suddenly feels like a little bit more of a David Lynch surrogate, where it's like, yeah, he gets there, right? He gets all the way there. And then as soon as like the opportunity is present, he's like, forget this. Yeah.
I mean, but we just watched Wild at Heart, right, which is a very sexy movie. Very horny. Have you seen that, Melissa? I have not.
Oh, you got to throw it on when we're done. It's so good. It like instantly became one of my favorite David Lynch movies. It's real good.
I do watch it. Lynch has like a weird, you know, he's got his weird little sexual. He's a little boy. He knows.
It's, you know, it's who he is. Yeah. Come on. Come on.
What do you want him to? You want him to not be horny? Yeah. Come on.
That's the case. I, I, for one would be this one. You know what's funny is like his, his like passion project that never gets made was a Ronnie rocket. Yeah.
Is the least sexual thing I've ever heard of. Like, do you know the premise of Ronnie rocket? I don't remember what it is. Go ahead.
Well, it's, and I'm just going to use Wikipedia here to tell you that it's the story of a detective seeking to enter a mysterious second dimension. Uh-oh. Aided by his ability to stand on one leg. He is being obstructed on this quest by a strange landscape of odd rooms and a mysterious train while being stalked by the donut men who wield electricity as a weapon.
Uh-huh. Um, yeah. Nothing horny about that. No, but I'll know.
It says you. I mean, donut men. Come on. I'll talk of donut men.
That's all very, that's all very Twin Peaks. Totally. Very Twin Peaks adjacent. Yeah.
Yeah. People, even down to people walking weird, standing on one leg. Yeah. Right.
Yeah. Well, um, you'll get into it. I think we kind of have to get into it. And I, I posit you now.
Uh-huh. I think we're talking about these things. The, our billable hours are only while we're recording. So I, I think we just, we weave the missing pieces in as they come up.
I was, I was thinking the same thing. Cause it doesn't really make sense to talk about the missing pieces afterwards. Like sort of separated from the context that they should have been. Yeah.
Whatever. What the heck happened with Philip Jeffries will tell you in 40 minutes. Yeah. Yeah.
Uh, so right off the bat. Again, I, I think it's so funny. I think it's like 1992, somebody goes to see this movie and they're like, I love Dale Cooper. I love the characters of Ben Peakes.
Let's go. Do you love Chris Isaac, not his music. How do you feel about Chris Isaac's acting? Yeah.
I like, I like that David Lynch is sort of drawn to, I would, would you call Chris Isaac and David Dukovny roughly the same type of actor, which is to say quiet and big pouty lips? Yeah. Definitely. Yeah.
Like they have like, they both have like a sort of interesting noses as well. I like that he has a boy type too, seemingly. He does not just definitely has a boy type. Yeah.
So Chris Isaac, but this technically our second Chris Isaac in a row and we had a what's that song called on the soundtrack? Oh, yeah. Wicked games, Wicked Games, which is like, that's his big, you know, song. That's, you know, what he, I think is most known for is that song in particular and trying to kiss Cameron Diaz at the MTV Movie Awards.
You know, tried and failed. Yeah. Him and Cameron Diaz were presenting the award for best kiss at the MTV Awards and like last minute entry, babe. Kind of.
Yeah. I mean, so, and he like, you know, wasn't, wasn't planned or anything. And he just tries to like, you know, like fucking kiss her right there and she's like, not having it. And he's like, come on, baby.
And this is all like up on stage at the podium. And it's, it's, it's a pretty disgusting clip. But then Jim Carrey wins the award or whatever. And he goes up on stage and he immediately grabs Chris Isaac and kisses him.
That's good. Yeah. Yeah. Which sort of like, yeah, cools the whole situation, but also gets him back because he's a kind of creep guys a pro.
Yeah. Yeah. Chris Isaac. I mean, look, we are, of course, big Chris Isaac fans.
Yeah. Stay tuned for our podcast, Chris Isaac. No, we've done that before. No, we've discussed his work before.
What his movie career? Yeah. He's uncle Bob. Of course he's uncle Bob.
He's the engineer. He records the thing you do. Yeah, the original recording of that thing you do. Really?
Yeah, he's a guy's uncle in the church when they record. Yeah. And he quotes scripture at him. And Jimmy's like, can we get another take?
And he's like, no, I think that one was perfect for Jimmy. Yeah. Jimmy doesn't get what he wants. But yes, let's talk about another tragic figure, of course, especially in Chester Desmond.
Chester. Shout to his friends. Yeah. Well, don't forget Sam.
Oh, we'll get to Sam. Of course we'll get to Sam. We're going to get to Sam. So Sam Stanley.
Sam Stanley. Yeah. Great name. Chris Isaac's character, Chet Desmond, as he looks like arresting him and some other agents are arresting a bus driver with seemingly a beloved bus driver.
Yeah. The kids are very upset. He's a school bus driver and all of the kids in the bus are screaming and yelling, like, not to take their bus driver away. And it happens every day.
Yeah. You remember when you were a kid how loyal you felt to your bus driver? Actually, there was one bus driver that was also a radio DJ for like an AM radio station. And I was loyal to that bus driver.
That's pretty cool. Was his name Otto? Did he call you Bartman? Did he love to get Blotto?
I was actually talking about this with my sister a couple of days ago. She had mentioned some bus driver that everybody loved. I was like, I don't remember having a bus driver. I loved.
I just remember there was a bus driver who every kid on the bus would do an impression of when she got mad. Yeah. Like everyone had their own. Sit down.
Yeah. What a miserable life. That's like, man, I have nothing but empty. Especially these kids.
And they're screens. They're open to ISIS. Oh, there's give it to toilets. It's give it to toilets.
Okay. Actually, it's give it to toilet. We'll have to have you back on for this to be toilet. What?
Could you imagine? So Chet D'Esmond, he gets a call from Gordon Cole tells him that he's got a blue right past it. Oh, no, no, no, let's let's imagine. I wonder what it would be like if we did skivity toilet podcast.
No, I'm sorry. Okay. I think it'd be popular. Do do zoomers listen to podcasts?
I actually don't know. I don't think they do. I think we'd have to go on live streaming go, mmm, ice cream, gang gang. Or you'd have to have like a split screen where the other side is just like a Minecraft, like something.
Yeah. Yeah. Someone just running really fast in Minecraft. Yeah.
You have to do like a full, you know, we're recording this video, but like you need like a full production studio to record in and then you post it on YouTube and then the kids watch. Yeah. And then every 10 seconds we got to stop and be like, thanks for the, like the blank coin. Yeah.
Hey, what's up? We got, we got Green M&M in the chat. What's up? I want to show you why I said Green M&M because just off camera.
Oh, yeah. Oh, yeah. I got Green M&M as the Statue of Liberty showing a little leg. Yeah.
Sexy Green M&M as a statue. Whoa, Dan. Just a little checkup. A little checkup on the Green M&M there.
Everything's looking ship shape. Gross. Okay. So agent Chet Desmond, he's arresting a bus driver and some sex workers, maybe something like that.
Yeah. Something like that. We don't, we get no backstory into what is going on here, which is perfect. It's better this way.
It's a classic Twin Peaks, one of those. Yeah. Yeah, yeah. A non sequitur.
Yeah. But he gets a call from Gordon Cole says, you got to head up to, what is it? Dear Meadow, Washington, there's, there's, there's been a murder. Yeah.
And he's got to go investigate it. And he's got to meet, what's a, what's, Sam Stanley. Sam Stanley, of course. Yeah.
And so Sam Stanley, Gordon Cole and then Chet Desmond arrives at the airport and he tells Gordon says, I have a surprise for you. And, and I think we all know where this is going. I think we all know what comes next. That's right.
Yeah. It's, it's Lil the dancer. It's Lil the dancer, a woman named Lil. She comes out from behind like up an airplane.
She does like a little dance kind of thing. She's going to her face. Yeah. She's making a sour lemon face.
Yep. She like, she keeps like opening and closing her fist. She's wearing a red dress with like interesting hemming. Yes.
And then of course, of course. Of course. And then the blue rose pinned to her. Is it lapel?
Yeah. Where the lapel would be. Yeah. And of course, and we have no idea what's going on here.
Well, luckily, wait, it does Sam Stanley. You didn't? No, you're fucking idiot. Well, somebody wasn't paying attention.
I guess someone's not cut out for it to work at the bureau. Yeah, it's a handle blue rose cases. So yeah, Sam Stanley is, he, Sam Stanley, by the way, we should mention is key for Sutherland. Yeah, big, important detail.
Playing against type, I would say. Yeah. I don't know, man. He'll pull like a weird character like this.
This is such a kind of small character for him, right? Yeah. What we know, of course, from standby me and things like The Lost Boys and leather jacket type and of course phone booth. Oh, of course.
Who can forget phone month? Hey, remember when someone stepped on our toes with phone month? Somebody else tried to fucking muscle in on our phone month territory? I've never been so mad in my entire life.
Someone tweeted, they were like, as though they had thought of it, they were like, hey, remember in the early 2000s when Larry Cohen made two back-to-back thrillers about phone calls? I was like, yes, of course I do. Yeah. We did a whole month on it.
What are you talking about? Yeah, remember it. I invented Larry Cohen making it back-back phone calls. Yeah.
So there's this other movie with Keeper Sullivan, Dark City, where he plays an even like weirder sort of creepier kind of guy against type though, like not. He's really good at playing against type in that way. I think. He's always playing against type.
You throw him a good guy and he nails it. Yeah. I'm going to say, you said creepy-er. I don't find this guy creepy.
I was so endeared to him. He was like, yeah, yeah, yeah. He's just like a cute little guy. He's a cool little guy.
He's just like the least threatening man who's ever lived. He also likes to check that. Yeah. They won't let him in on the Blue Rose cases because he's too pure.
Yeah, exactly. He can't go the way of Philip Jeffries. Talk about getting your soul annihilated. It would be on site.
You had fucking black lodged on site. Gordon Cole also tells Sam to stay close or whatever. Chet does it. He's a good guy and has his own MO.
That's modus operandi. Sam runs with that. He says it like three times. Yeah, he does.
Just learned a new phrase. You kidding me? Yeah. So Chet and Sam, they go to the local police station and these guys are not helpful at all.
Oh, man. It's so good. Yeah. So they get in and the receptionist and a deputy sort of meet them there.
It's that thing I love that I first saw in the Big Lebowski where everybody in the room is laughing except for the character you're following. Yeah. And they're laughing at something and you're like, I don't know what they're laughing at and I feel left out just like this main character. Totally.
And they're like whispering things to each other and the laughter re-swells. They're basically like, you cannot see the sheriff. So then they sort of muscle their way past and the sheriff, well, he's normal too, isn't he? Yeah, he's just a regular normal looking guy.
He has a picture on his wall of him bending an iron bar because he won a bending an iron bar contest. The only entry. Yeah. And so Desmond is like, I want to see the body to respect and all this stuff and this guy is not cooperating at all.
And he's like, listen, man, I am like, it's the FBI is territory now. This is gone federal. You're, you know, your little fucking shit splat town is no longer in charge of this. Damn.
Yeah, fucking. You had to lay down like that. He did. He called him a J Edgar.
He did. He called him a J Edgar. He did. So, fuck, Desmond and Stanley, they're examining Teresa Banks's body.
We heard about Teresa Banks in the show. Early on, they talked about when they found Laura, they said that there was another murder like this, you know, about a year earlier, Teresa Banks, yeah, but we didn't get any, any sort of information really like what had happened. So they're examining the body. They know she's missing a ring.
There's like a line on her finger. Can line sort of thing. Yeah. Sam Stanley is, he's looking at her, her fingernail under like, it's like this.
I don't, it's like a microscope, but it's enormous. Is it the thing he's wearing? It's like portable. Yeah.
Yeah. In like a suitcase almost. Right. Yeah.
It's like a little mini fridge that he's been wearing around the whole time. Yeah. He's very proud of it. He's very proud of it.
He showed it off to, he showed it off to Coop in the, in one of the missing pieces. Yeah. He did. That's his whole, I mean, that's, that's how he's going to get noticed around the bureau.
Wait, real quick. Can you hear this or no? No. Sorry.
No, no, no, no. Well, that's on my end. There's nothing I can do about that. I just want to make sure it wasn't coming through the speakers here.
What was it? No, he's got picture in picture of pornography. I like to have the movie going like in the background. Oh, that's your process?
It is. Wow. So you're moving us along in real time. Well, we're trying.
I jump, you know, we'll jump ahead or whatever in it, you know, anything that's like, I mean, there's not really a lot that's perfectly, superfluous in this book, you know, whatever. So Sam Stanley, he sees something under her nail, peels back the nail and there's a little piece of paper with a letter T on it, by the way. Gross. Gross.
That was gross. Yeah. Look, I love the, I love how off the leash we are now that we're off network television. In some ways.
Oh, horrible, horrible, horrible thing. Oh, I don't know. What a horrible thing to happen. I didn't like it.
No. Where's any of the stuff that happens to people who are live in this? Is me having to watch a fake depiction of someone getting their nail? Yeah, a dead one and getting her nail remote.
Yeah. So the letter T under there, and of course we've seen this in a TV show. This is the killer's sort of his ammo, it's he places a letter under, under the fingernail of his victims. And of course, we know he's spelling Robert, take it easy.
We do. No, no, no, you know that. We know that. We don't even have it in the movie.
No, it doesn't happen. It happened months ago. Yeah. Well, it happened to you're from now.
Oh my God, you were both here when it happened. Yeah. So after they're done examining the body, they, what Sam Stanley is like, where are we going to sleep tonight? And Desmond is just like, we're not on again food.
I was like, you do have your own ammo. Also, can I just point out how fun it is that this town is such a mirror opposite Twin Peaks? Or like, at least they don't even make fresh coffee? Oh, for it's, I mean, it's everything.
This, you know, dear Meadow here is the exact opposite. It, you could call it the doppelganger to Twin Peaks. Okay. All right.
Say that. Well, so you have, of course, you have the police station, right? With the cops who are, you know, assholes, the one, the woman working the desk is, you know, the Lucy analog, who's also like kind of a shithead. They go to Hap's diner where like the woman that works there is like kind of, she's like, yeah, she's like an old diner waitress.
She's like, you know, she's smoking cigarettes behind the fucking counter and like, you know, you know, I mean, even the name of the town, like Meadow Flat Peaks. Yes. Sure. Yeah.
Yeah. The, the bending of the iron feels like part of the unwediness of the town, right? Like obviously all the, you know, mill town. Right.
Yeah. And like, I mean, the, the sheriff's name is Sheriff Cable. Obviously the electrical currents are going to become a thing here. I would hate to get ganged up on by saying more, saying more about that too soon.
Why? Do you put a gag order on me? I mentioned Robert something from 19 years ago. When they go to Hap's diner, they talk to the, the owner who, I mean, we could talk about the electricity in this scene, right?
Oh, yeah. Oh, yeah. I think you mean between Chris Isaac and the actor who plays the owner? Yeah.
Yeah. I mean, I could feel it coming off of the screen, these guys, but it also could have been the lamp. Yeah. That somebody is like, work like there's a lamp repair person there who is, you know, they're trying to fix it.
And it's like, you just see like the, the white flashes electricity going on. And it does create sort of like a soft strobing effect, which we know is bad. You don't ever want strobe lights. No, you don't want that.
The anti-rave undercurrents of this. So they talk to, forget the woman's name, the waitress. I want to say Irene. I believe it is Irene.
Yes, because you can't say good night Irene. Oh, that's right. Yeah. Yeah.
Yeah. Yeah. Yeah. So they ask her about it because Theresa Banks used to work at this diner.
She says that, you know, Theresa only worked there for a month. You know, she thinks that, you know, she was always late. She thinks that she had a problem with Coke. And she says, there was this one time where for three days, she said that her arm didn't work.
And, which is, I mean, that's an unusual thing. Let's maybe let's put that away in our pockets for later. I can't forget the time that everybody's arms stopped working in Twin Peaks. Well, there was that one time where every, you know, Cooper and Pete and maybe somebody else, their arms did go funny.
Yes. They started shaking. We did have some arm funniness. But also, Theresa's, well, no, I won't get ahead.
That would be good. None of them. I was smart, Alec, but I was going to bring up the ring. Oh, yeah.
Yeah. We could, we're getting there now anyway. So like after the, I mean, is there anything else in the diner specifically besides the Theresa Banks info, we got that old guy with his like French younger friend there. And she says something in French to the effect.
We as live on more. Yeah, which is like the nighttime is good or like the nighttime is the right time, basically. Yeah. I think that is all that happens in the diner.
Yeah. So then they go to the trailer park, which is again, we're. This is like a mirror, you know, instead of a big fucking, you know, like a really nice neighborhood, like Laura's from like a beautiful suburb or the fucking hotel, the great Northern sure. Or honestly, even like, even like those little, that little complex where what's his name lives, the guy, the shut in.
I forgot his name. I'm struggling. Where they go from? Yeah.
Yeah. Like even that is so much nicer. Yeah. Yeah.
So I mean, it's called a fat trout trailer park. Yeah. That's also a good moment when Sam is like, are you speaking in code to me right now? He thinks this is another blue rose type situation.
No, I'm speaking plainly to you, Sam. So yeah, they go, they go there and they, yeah, they have to wake up the owner who very, very, very clearly does not want to be awake. Yeah. He has a sign on his door that says, do not wake me up before nine o'clock.
I love their reaction. They go for their guns. Yeah. Shit is before nine.
And that guy, of course, was played by Harry Dean Stan, of course, of course. And a good for us. This is our second HDS in a row also. Yeah.
Oh, man. I kind of tell you why, Harry Dean Stan and Chris Isaac, those two are inseparable. I don't want to spoil too much, but there's actually a lot more of him in the return. Oh, God, man.
Yeah. And tell me, does he look the same age? Yeah. Yeah.
Yeah. Does he look the age he's looked since he was 35 years old? It's so funny. So like you watch a show and he's clearly like an old man, but you watch this and you're like, this is a cool 30 years earlier.
Yeah. He looks like he's got a little bit more like brown in his hair. And that's about it. That's only difference.
So yeah, they want to see Teresa Banks' trailer. So they go in and they're looking around and Desmond sees a picture of Teresa on the fridge and she's wearing the ring. Now, Dan, you wanted to talk about the ring? Let's get into it.
Well, just looking for theories as to why her arm could have gone numb for three days. Oh, yeah. I mean, that's actually a pretty good one. Yeah.
Yeah. Yeah. Yeah. Ring could have been too tight.
Yeah. Yeah. I don't have circulation. Yeah.
Nothing strange or unusual about it. Nope. Pretty normal stuff. It's like a glyph of an owl.
Yes. But it's like a diamond with like two little wings coming off the bottom, basically. Yeah. Yeah.