Flushing the Categories Away: Psychedelic Jazz episode artwork

EPISODE · Nov 18, 2021 · 1H 36M

Flushing the Categories Away: Psychedelic Jazz

from Love is the Message: Dance, Music and Counterculture · host Love is the Message podcast

In this week's episode Tim and Jeremy describe the genres of psychedelic jazz and fusion. Drawing on rock, modal and free jazz and funk, as well as a wider pool of international musics, we hear how artists like Miles Davis, Herbie Hancock and Weather Report created - through processes of fusion and fission - a new sound. Tim and Jeremy consider the impact hearing the Grateful Dead had on Miles, the virtuosity and immanence of his trio of fusion albums, and the struggles he had in marketing this new music (with little understanding or help from the label suits).   We also hear about the various psychedelic qualities of the music and musicians, how rock displaced folk and jazz as the countercultural music of the moment, and join the dots between American jazz musicians and the improvisatory brilliance of the Indian Classical tradition.   Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast.   Produced and edited by Matt Huxley.   Tune in, Turn on, Get Down!   Tracklist: Joe Harriott - Mishra Blues The Grateful Dead - The Other One Miles Davis - Shhh Miles Davis - On The Corner Dorothy Ashby - For Some We Loved Weather Report - Orange Lady Les McCann - The Lovers Herbie Hancock - Raindance Mahavishnu Orchestra - Birds of Fire Books: Phil Freeman - Running the Voodoo Down: The Electric Music of Miles Davis Kevin Fellezs - Birds of Fire David Toop - Ocean of Sound

In this week's episode Tim and Jeremy describe the genres of psychedelic jazz and fusion. Drawing on rock, modal and free jazz and funk, as well as a wider pool of international musics, we hear how artists like Miles Davis, Herbie Hancock and Weather Report created - through processes of fusion and fission - a new sound. Tim and Jeremy consider the impact hearing the Grateful Dead had on Miles, the virtuosity and immanence of his trio of fusion albums, and the struggles he had in marketing this new music (with little understanding or help from the label suits).   We also hear about the various psychedelic qualities of the music and musicians, how rock displaced folk and jazz as the countercultural music of the moment, and join the dots between American jazz musicians and the improvisatory brilliance of the Indian Classical tradition.   Tim Lawrence and Jeremy Gilbert are authors, academics, DJs and audiophile dance party organisers. They’ve been friends and collaborators since 1997, teaching together and running parties since 2003. With clubs closed and half their jobs lost to university cuts, they’re inevitably launching a podcast.   Produced and edited by Matt Huxley.   Tune in, Turn on, Get Down!   Tracklist: Joe Harriott - Mishra Blues The Grateful Dead - The Other One Miles Davis - Shhh Miles Davis - On The Corner Dorothy Ashby - For Some We Loved Weather Report - Orange Lady Les McCann - The Lovers Herbie Hancock - Raindance Mahavishnu Orchestra - Birds of Fire Books: Phil Freeman - Running the Voodoo Down: The Electric Music of Miles Davis Kevin Fellezs - Birds of Fire David Toop - Ocean of Sound

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Flushing the Categories Away: Psychedelic Jazz

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This episode is 1 hour and 36 minutes long.

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This episode was published on November 18, 2021.

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In this week's episode Tim and Jeremy describe the genres of psychedelic jazz and fusion. Drawing on rock, modal and free jazz and funk, as well as a wider pool of international musics, we hear how artists like Miles Davis, Herbie Hancock and...

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