Forest Stream Suite

Hello. It’s 2025. How can that be? I look at the number and think, that’s a futuristic number. Wasn’t the future supposed to be easier? Something tells me 2025 will not be easy. Still, I’m determined to meet it with can-do attitude. For now though, let’s ease into it. With that it mind I chose this recording, Forest Stream Suite. The environmental sound was captured last June in Forest Park, Portland, Oregon; a place we’ll be revisiting throughout the coming year. Many of the seasonal streams were, by that time, down to a trickle. The percussive sound at the top of the recording is one such a trickle, a thread of water falling over a stone, as captured by a homemade hydrophone. The hydrophone is a simple design incorporating a ~$1 bulk-supply 27mm contact mic, a kombucha bottle screw cap, a coin (for ballast), a 1/8th inch stereo cord, a swatch of duct tape, and a couple dips in liquid plastic. I was instructed in the ways of DIY contact mic wizardry by the gifted sound artist Marcus Fischer at a workshop hosted by Oregon Contemporary about a month prior. Thanks Marcus and Oregon Contemporary! Hydrophone recording is something I hope to do more of in the coming year. Maybe I’ll invest in something a little more sensitive. Or possibly a stereo pair? The instrumentation follows the pattern of previous Listening Spot releases: One continuous field recording and several distinct musical movements in the same key. With the hydrophone click track as a jumping-off point, this one reaches out its sound tentacles in new directions, without letting go of the familiar. There’s some of my favorite wildlife belting it out here: American Robin, Pacific Wren, Wilson’s Warbler, Yellow Warbler… While listening, I can picture the dappled light of the forest. Thanks for tuning in. I’m grateful for your interest. Forest Stream Suite is available under the artist name Listening Spot on all streaming platforms (Spotify, Apple, Tidal, Amazon, YouTube…) Friday, January 3rd. I hope you can spend some quiet time with it. Lastly, I took some time to write some reflections on my first year of being on Substack a couple days ago. I didn’t send it out as a newsletter, because it was mostly written as an exercise to clarify some things for myself. I’m mentioning it here for those who may be curious about the platform, my impressions as a musician, and some intentions in 2025. Happy New Year! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe