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Frances Quinn, author of 'The Lost Passenger' - Historical Fiction author discusses advice from ABBA, what other markets want, and the privilege of an editor episode artwork

EPISODE · Jul 3, 2025 · 54 MIN

Frances Quinn, author of 'The Lost Passenger' - Historical Fiction author discusses advice from ABBA, what other markets want, and the privilege of an editor

from Writer's Routine

Frances Quinn is a journalist, copywriter and bestselling author. Her new novel, 'The Lost Passenger', tells the story of Elinor Coombes, who boards the Titanic trapped in an unhappy marriage to a controlling husband. When it starts to go down, she sees an opportunity to escape for a new life. Frances began writing after winning a place on the Curtis Brown Creative Novel Writing Course, which led through a meandering path toward publication in 2021. Her debut was 'The Smallest Man'. She followed that up with 'That Bonesetter Woman', which both sold well, yet didn't manage to secure international rights. You can hear what Frances did to learn about foreign markets, in order to get her newest novel sold overseas. As a journalist and copywriter, Frances has written for 'Good Housekeeping', 'Woman's Weekly', and 'Ideal Home', also producing words for Waitrose and Easyjet. We discuss how this has influenced the novels she writes, and why she's forever thankful to her editor. We discuss genre, research, and how Frances learns about her character while having decided exactly what they're up to. You can hear why she's a moany writer, why she likes to exercise early, and why she still keeps office hours. Support the show at - patreon.com/writersroutine ko-fi.com/writersroutine Get a copy of the book - uk.bookshop.org/shop/writersroutine If you have science-mad kids, come and see my science-mad show this summer - funkidslive.com/tour Subscribe to the newsletter - writersroutine.substack.com @writerspod writersroutine.com Hosted on Acast. See acast.com/privacy for more information.

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Frances Quinn, author of 'The Lost Passenger' - Historical Fiction author discusses advice from ABBA, what other markets want, and the privilege of an editor

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