FRANK KOZIK: Pop Culture Provocateur

Often credited with single-handedly reviving the lost art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the early eighties. In 1981, he began designing and posting black and white flyers for friends’ bands on telephone poles. His reputation quickly grew as an artist whose work was graphically compelling and culturally gripping. An entirely self-taught artist, Kozik eventually transitioned into producing large, colorful silkscreen concert posters, which found international success. He has created artwork for musicians such as Soundgarden, Pearl Jam, The White Stripes, The Beastie Boys, Green Day, Neil Young and Nirvana. In the mid-nineties he directed several music videos, including Soundgarden’s “Pretty Noose”. In 1993, he moved to San Francisco. Within two years he had started his own record label, Man’s Ruin Records. The majority of his posters and album art during this era were hand silkscreened and numbered at his studio. During this time he designed and released over 200 singles and full-length albums including a record by the Sex Pistols and the first Queens of the Stone Age single. In 2001, Kozik closed Man’s Ruin to devote himself full time to fine art, design and the newly emerging art toy movement. He served as the Chief Creative Officer of  kidrobot to produce vinyl toys including many versions of his iconic Labbit character. He designed over 500 different limited edition figures. Kozik also designed products and campaigns for a spectrum of major media and lifestyle brands including a pair of NikeSB Dunk Quickstrike sneakers, a special edition Swatch watch, the 2007 Spike TV Video Games Award trophy, and an “Absolut Kozik” print ad. In addition to his outside clients, 2007 saw him launch his own brand, Ultraviolence. Under this imprint, Kozik produces limited edition art objects in vinyl, fiberglass, bronze and Limoges porcelain that are often more complex in content and larger in scale than his other vinyl toys. Kozik’s work has been exhibited in over 40 group shows and 35 one-man gallery exhibits worldwide. His impact as the godfather of lowbrow art will live on through the legacy of his signature creations.