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EPISODE · Mar 14, 2025 · 3 MIN

French Connection

from HarmoniX · host Bob Nelson

Whatever.. Stuff an tings.

Episode metadata supplied by the publisher feed · Published Mar 14, 2025

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French Connection

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HarmonixEnt Harmonix Harmonix Sessions Ajit Sarathi Ajit Sarathi , born in Himachal and raised in the city of New Delhi, began his career at an early age as a dj under the influences of old school dance musicians and groups from late 90’s. His strong candidature as an outstanding dj stems from a blend of his professional experiences and his training in Indian classical music. He is considered by many as the man who contributes his special touch to every party by a mixture of charisma and his particular choice of music. His vast experience as a DJ and his ability to create a journey from deep house to banging techno in his long sets make Ajit a sure-fire crowd mover at any given party. In his early teens it was all about Hip Hop to break beats to techno to house. Teenager Ajit grew up to become one of the dj’s slowly introducing music and tracks soon to be known as Progressive house, Tech and Techno. His stint as a resident dj from 2003-08 gave him the ideal platform to experiment with electronic sounds and create new musical styles. In Sonic Boom Sound Art - recent live stereo electronic effects looping hearthis.at These pieces represent recent projects exhibiting different generation analog and digital effects processors (Electro-Harmonix; DOD/Digitech, etc.) looped together, based on previous schematics utilized from 1984 - 1995 for various live performances and studio recordings.All pieces are recorded live, in stereo with minimal or no post-processing.At some point rack units will be re-introduced into these signal chains incorporating a wider scope of parameters for live manipulation of stereophonic auditory effects.Previous live performances included quadrophonic, on-site, or site specific outdoor performances focusing on the disintegration of any performer-audience/audience-performer dynamic by encouraging audience participants to walk anywhere they wanted to experience the sounds. There were no seats, there was no stage, nor tickets sold. Sounds were directed by speakers at specific locations on buildings, between structures, and open fields, yielding a multiplicity of resonant charac Esoterica Special Edition - SC Feed mdjeted Psyrchus Praximus Productions (PPP) are recordings and projects initiated and/or produced by Ted Keylon at The Lab in The Bomb Shelter, Electrical Octopus Studio, and South Wing Studio. They generally fall within experimental, noise, rock, loud, electronic, psychedelic, and some acoustic categories and I, Ted, am usually either playing ukulele, drums, bass, vox, assorted noise-makers (Evan Mitchell’s electric suitcase, the Schprong Box, optical air effects, dual oscillating Yamaha Portasound synth, circuit bent HR-16 drum machine, Warpman2 circuit sequencer, ADHD Glitch Synth circuit, Crank Sturgeon noise boxes, body contact glitch circuit board, metal pipes, automobile radiator, cheap grandfather clock guts, Illy 10 pound coffee cans from Capitol Cafe in Springfield, IL circa 1997, through boutique and indie pedals such as GutterNoize, Death by Audio, Electro-Faustus, Earthquaker, JHS, and Electro Harmonix, etc. or any combination thereof recorded on a full spectrum field recorder or

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