EPISODE · Dec 9, 2024 · 18 MIN
From Cranes to Cuba: how Kalatozov and Urusevsky reinvented Soviet cinema
from The Klassiki Podcast · host Klassiki
We’ve reached the end of the second season of the show! Thank you to everyone who’s listened along so far. If you enjoy the show, please leave us a five-star review or a comment on your podcast app of choice. We’ll be back in 2025 with a new season, bigger and better than before. For the final episode of the season, we’re dipping back in to the archive of the Klassiki Journal for an essay on the groundbreaking collaboration between director Mikhail Kalatozov and cameraman Sergei Urusevsky. Over just seven years and three films, the duo turned Soviet cinema on its head with their revolutionary cinematography and depth of feeling, winning the Palme d’Or along the way. Read the original piece here and make sure to explore our collection of classic Soviet titles, including Kalatozov’s Salt for Svanetia. Sign up for a free 7-day trial at klassiki.online.
What this episode covers
We’ve reached the end of the second season of the show! Thank you to everyone who’s listened along so far. If you enjoy the show, please leave us a five-star review or a comment on your podcast app of choice. We’ll be back in 2025 with a new season, bigger and better than before. For the final episode of the season, we’re dipping back in to the archive of the Klassiki Journal for an essay on the groundbreaking collaboration between director Mikhail Kalatozov and cameraman Sergei Urusevsky. Over just seven years and three films, the duo turned Soviet cinema on its head with their revolutionary cinematography and depth of feeling, winning the Palme d’Or along the way. Read the original piece here and make sure to explore our collection of classic Soviet titles, including Kalatozov’s Salt for Svanetia. Sign up for a free 7-day trial at klassiki.online.
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From Cranes to Cuba: how Kalatozov and Urusevsky reinvented Soviet cinema
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