From rural southern Oregon, Ka'ila Farrell-Smith fights for and paints with Native land.

For painter Ka’ila Farrell-Smith, the land on which she lives and works is the raw material for her art, both metaphorically and literally. In November 2016, ten days spent at Standing Rock, ND protesting the Dakota Access Pipeline and meeting and working alongside fellow Native artists changed her life. Ka’ila, who is Klamath Modoc, learned about the Jordan Cove Energy Projects, a liquid natural gas LNG pipeline that was threatening her ancestral homeland in southern Oregon, and in 2018, she moved to Modoc Point, where she jump-started a new chapter in her activism and artistry journey, scoring a couple of big wins in the first year. She created her “Land Back” series of paintings, in which she started incorporating pigments and minerals from the land around her, and she was successful in blocking the Jordan Cove Energy Project. Now, in 2024, represented by the Russo Gallery in Portland, OR, she’s had her work exhibited in museums all over the country, including at the National Gallery in Washington, D.C. One of her pieces is also in the Portland Art Museum’s permanent collection. On the activist front, she is suing the State of Oregon for illegal surveillance and is also combating lithium mining in Native regions of Southern Oregon and Nevada.In this interview, Ka’ila explains why she left the artistic hub of Portland to live in rural southern Oregon and describes how her activism and artistry have evolved hand in hand.https://www.kailafarrellsmith.com/Hosted on Ausha. See ausha.co/privacy-policy for more information.