From stereotypes to sovereignty: How Indigenous media makers assert narrative control

Over the last 30 years, there has been an exponential growth of Indigenous media and Indigenous media makers, especially here in Canada which has one of the largest repositories of Indigenous media. However, the road to get here hasn’t been easy. Indigenous filmmakers, producers, and artists have had to navigate the complex and often unfriendly terrain of Canadian media institutions and media production companies. Their negotiations -- and struggles -- have helped make space for a generation of Indigenous media-makers who are increasingly making shows and films on their terms, with their ideas.Karrmen Crey who is Stó:lō from Cheam First Nation, is an associate professor in the School of Communication at Simon Fraser University in Burnaby, British Columbia, and the author of “Producing Sovereignty: The Rise of Indigenous Media in Canada.” In this special  episode, recorded on-site with an audience in Vancouver at Iron Dog books, Karrmen speaks with Vinita about  the ways  Indigenous creators are using humour along with a sharp critique of pop culture to show just how different the world looks when decision-making power over how stories get told shifts and Indigenous media makers take control.This episode was produced in front of a live audience at Iron Dog Books in Vancouver, in partnership with Simon Fraser University's Faculty of Communication, Art and Technology and the Amplify Podcast Network. Simon Fraser student, Natalie Dusek performed tech duties. Theme music by Zaki Ibrahim, Something in the Water.Image credit: Jana Schmieding plays Reagan, a member of the fictional Minishonka nation, on the sitcom, Rutherford Falls. (Evans Vestal Ward/Peacock)