Get Thee to a Notary!

Send us Fan MailMaster Shakespeare, are you ready?SHAKESPEARE:As ready as any man may be, entering a room where love is examined like evidence.GEORGE:That’s exactly it. Because what happens here is not romance. It’s a controlled experiment—and Ophelia is the instrument.GEORGE:Let’s start with the setup. Claudius and Polonius plan to spy. They stage-manage Ophelia. They put a book in her hands. They position her.What’s the moral temperature of this plan?SHAKESPEARE:Cold. And convenient.They call it “care for her.” They call it “care for the prince.”But the act is simple: they use her presence to harvest Hamlet’s secrets.GEORGE:And what’s chilling is how normal it seems to them. “We’ll just hide over here.”It’s like a household trick.SHAKESPEARE:Power always wishes to be ordinary.If it feels ordinary, it feels permissible.GEORGE:So right away, Ophelia enters a room where her feelings aren’t the point. Her feelings are the bait.GEORGE:Now—Ophelia. I want to underline something for listeners: she’s not “weak.” She’s trained.She has been coached to obey father, brother, court—every authority that tells her what “good” looks like.SHAKESPEARE:A young woman in that world is praised for being governable.They call it virtue.But it is also control.GEORGE:So when Polonius gives her instructions, it isn’t just advice. It’s a system:“Speak when told. Hold this. Stand here. Offer the tokens.”FourSupport the showThank you for experiencing Celebrate Creativity.