EPISODE · Jul 10, 2021 · 9 MIN
Getting There
from Hashmoder · host Hashmoder
Buy this track from Bandcamp https://hashmoder.bandcamp.com/track/getting-there For best results, please wear headphones for the binaural effect in the stereo-field. Hashmoder (Omar Hash): Music composition, sound design, synthesizers, instruments, vocals, vocoder, arrangements, programming, editing, engineering, mixing and mastering. ______________________________ LYRICS: NEUROTRANSMISSION THROUGH TIME AND SPACE BEYOND LIMITS OF INDIVIDUAL EXISTENCE OPEN YOUR EYES TO THE FUTURE NEUROTRANSMISSION TO THE FUTURE ______________________________ 'Getting There' is an hypnotic and transcendental music track with three separations which merge together as one towards the long outro. Synthesizer chords and evolving textural layers, along with organic, acoustic percussion. In three-four time signature driven by sequenced synthesizer baselines, 'Getting There' will take you through a long, driving, montage-like, scenic and groovy journey with the intention, vision and final destination leading you the way to an imaginary utopian world of tomorrow. Retro-future sound of an updated 1980s with musical and production/technical influences, borrowing heavily from Trevor Horn, Frankie Goes To Hollywood, Yello, Pink Floyd, Phil Collins, Peter Grabriel, and Jan Hammer. Also a nod to The Orb.
What this episode covers
Buy this track from Bandcamp https://hashmoder.bandcamp.com/track/getting-there For best results, please wear headphones for the binaural effect in the stereo-field. Hashmoder (Omar Hash): Music composition, sound design, synthesizers, instruments, vocals, vocoder, arrangements, programming, editing, engineering, mixing and mastering. ______________________________ LYRICS: NEUROTRANSMISSION THROUGH TIME AND SPACE BEYOND LIMITS OF INDIVIDUAL EXISTENCE OPEN YOUR EYES TO THE FUTURE NEUROTRANSMISSION TO THE FUTURE ______________________________ 'Getting There' is an hypnotic and transcendental music track with three separations which merge together as one towards the long outro. Synthesizer chords and evolving textural layers, along with organic, acoustic percussion. In three-four time signature driven by sequenced synthesizer baselines, 'Getting There' will take you through a long, driving, montage-like, scenic and groovy journey with the intention, vision and final destination leading you the way to an imaginary utopian world of tomorrow. Retro-future sound of an updated 1980s with musical and production/technical influences, borrowing heavily from Trevor Horn, Frankie Goes To Hollywood, Yello, Pink Floyd, Phil Collins, Peter Grabriel, and Jan Hammer. Also a nod to The Orb.
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Getting There
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