Greg Kot, “Ripped: How the Wired Generation Revolutionized Music” (Scribner, 2009) episode artwork

EPISODE · Jun 25, 2013 · 1H 3M

Greg Kot, “Ripped: How the Wired Generation Revolutionized Music” (Scribner, 2009)

from New Books in Music · host Marshall Poe

At the dawn of the twenty first century, the music business looked forward to its sixth decade of monopolistic dominance of the sale and manufacture of recorded music. An industry that once had dozens of labels competing for consumer dollars had become, thanks to a series of mergers, controlled by a small handful of international conglomerates by the late nineties. Similar trends had played out in the commercial-radio and concert industry sectors of the industry. The net result was massive profits for these multinational corporations, and rising prices for compact discs and concert tickets for consumers. Yet as Chicago Tribune music critic Greg Kot ably and acerbically shows in his page-turning Ripped: How the Wired Generation Revolutionized Music(Scribner, 2009) the landscape of the industry had been utterly transformed within a decade. In 1999, the introduction of the Napster peer-to-peer file sharing service made it possible for anyone with an Internet connection and a computer to download and create a huge music library, all without paying a cent to artists or their labels. The creation of such digital networks also allowed artists to market and sell their music directly to consumers, thereby bypassing the industry’s label system. This digital revolution likewise rendered compact discs, once the driver of industry profits, on the path to obsolescence and made the iPod as essential to music consumption as the phonograph had been for much of the twentieth century. Through his illuminating interviews with key figures drawn from all sectors of the industry, Kot skillfully makes sense of this dizzying era of change, one that has seen long established notions of copyright, profit, and creativity in the music business all called into question. Greg Kot has been the Tribune‘s music critic covering pop, rock, and hip-hop since 1990. He is the author of three other books, including Wilco: Learning How to Die (Three Rivers Press, 2004), and hosts the nationally syndicated radio program Sound Opinions, “the world’s only rock ‘n’ roll talk show,” which can be heard on over one hundred stations nationwide. His next book, I’ll Take You There: Mavis Staples, the Staple Singers and the March up Freedom’s Highway, will be published by Scribner in January 2014. He can be reached through his personal blog,gregkot.com, and via Twitter@gregkot. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

At the dawn of the twenty first century, the music business looked forward to its sixth decade of monopolistic dominance of the sale and manufacture of recorded music. An industry that once had dozens of labels competing for consumer dollars had become, thanks to a series of mergers, controlled by a small handful of international conglomerates by the late nineties. Similar trends had played out in the commercial-radio and concert industry sectors of the industry. The net result was massive profits for these multinational corporations, and rising prices for compact discs and concert tickets for consumers. Yet as Chicago Tribune music critic Greg Kot ably and acerbically shows in his page-turning Ripped: How the Wired Generation Revolutionized Music(Scribner, 2009) the landscape of the industry had been utterly transformed within a decade. In 1999, the introduction of the Napster peer-to-peer file sharing service made it possible for anyone with an Internet connection and a computer to download and create a huge music library, all without paying a cent to artists or their labels. The creation of such digital networks also allowed artists to market and sell their music directly to consumers, thereby bypassing the industry’s label system. This digital revolution likewise rendered compact discs, once the driver of industry profits, on the path to obsolescence and made the iPod as essential to music consumption as the phonograph had been for much of the twentieth century. Through his illuminating interviews with key figures drawn from all sectors of the industry, Kot skillfully makes sense of this dizzying era of change, one that has seen long established notions of copyright, profit, and creativity in the music business all called into question. Greg Kot has been the Tribune‘s music critic covering pop, rock, and hip-hop since 1990. He is the author of three other books, including Wilco: Learning How to Die (Three Rivers Press, 2004), and hosts the nationally syndicated radio program Sound Opinions, “the world’s only rock ‘n’ roll talk show,” which can be heard on over one hundred stations nationwide. His next book, I’ll Take You There: Mavis Staples, the Staple Singers and the March up Freedom’s Highway, will be published by Scribner in January 2014. He can be reached through his personal blog,gregkot.com, and via Twitter@gregkot. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

NOW PLAYING

Greg Kot, “Ripped: How the Wired Generation Revolutionized Music” (Scribner, 2009)

0:00 1:03:54

No transcript for this episode yet

We transcribe on demand. Request one and we'll notify you when it's ready — usually under 10 minutes.

MG Show MG Show The MG Show, hosted by Jeffrey Pedersen and Shannon Townsend, is a leading alternative media platform dedicated to uncovering the truth behind today’s most pressing political issues. Launched in 2019, the show has grown exponentially, offering unfiltered insights, comprehensive research, and real-time analysis. With a commitment to independent journalism and factual integrity, the MG Show empowers its audience with knowledge and encourages active participation in the political discourse. Eat to Live Jenna Fuhrman, Dr. Fuhrman Our health is our most precious gift and smart nutrition can change your life. Each month, join Dr. Fuhrman and his daughter, Jenna Fuhrman as they discuss important topics in the world of nutrition. Eat to Live will change the way you eat and think about food. French Your Way Jessica: Native French teacher founder of French Your Way Boost your French listening skills and test your comprehension with this one of a kind series of podcasts. Get the chance to listen to a real conversation between native speakers talking at normal speed AND customise your learning experience through carefully designed sets of questions (2 levels of difficulty) available for download at www.frenchvoicespodcast.com. All interviews also come with the transcript. French teacher Jessica interviews native speakers of French from around the world who share a bit of their life and passion. Where else would you meet in one same place a French yoga teacher based in Melbourne, a soap manufacturer from Provence, or a couple cycling around the world? XXX Tech by SOVRYN Dr. Brian Sovryn The crossroads between technology, sensuality, and metaphysics - and the longest running anarchist podcast in the world! Brought to you by Dr. Brian Sovryn.

Frequently Asked Questions

How long is this episode of New Books in Music?

This episode is 1 hour and 3 minutes long.

When was this New Books in Music episode published?

This episode was published on June 25, 2013.

What is this episode about?

At the dawn of the twenty first century, the music business looked forward to its sixth decade of monopolistic dominance of the sale and manufacture of recorded music. An industry that once had dozens of labels competing for consumer dollars had...

Can I download this New Books in Music episode?

Yes, you can download this episode by clicking the download button on the episode player, or subscribe to the podcast in your preferred podcast app for automatic downloads.
URL copied to clipboard!