Hags and Witches episode artwork

EPISODE · Apr 9, 2024 · 21 MIN

Hags and Witches

from PORTRAITS · host National Portrait Gallery

Kiki Smith says she didn’t really start making drawings of people until she was 40. Once she had aged a little, she looked in the mirror and saw lines— something “to hang onto” as an artist. At 70, she says it’s the hags and witches who attract her most. In this episode, Kim speaks with Kiki about portraying older women’s bodies and how aging has influenced her work. Kiki’s female subjects sometimes evoke biblical figures or characters from fairy tales, and they’re often connected to nature— to wolves and birds and stars. “Society is always trying to shrink people’s sense of self or possibilities,” she says. “How they experience the world is much larger.” This episode was inspired by a self-portrait of Alice Neel, who painted herself at her easel, naked, when she was 80 years old. See the portraits we discussed: Alice Neel self-portrait Cradling Dead Cat (1999-2000), by Kiki Smith Poisoned Witch (2012), by Kiki Smith Free Fall, by Kiki Smith

Episode metadata supplied by the publisher feed · Published Apr 9, 2024

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Hags and Witches

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Espions, une histoire vraie France Inter Portraits d’espions et d’espionnes, français, américain, anglais, russe, israélien et irakien. De la Seconde Guerre mondiale à aujourd’hui, en passant par la Guerre froide, la Chine de Mao et le combat contre l’État islamique.Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France. Inheritance, The by Susan Edmonstoune Ferrier (1782 - 1854) LibriVox "As the noblest attribute of man, family pride had been cherished time immemorial by the noble race of Rossville. Deep and incurable, therefore, was the wound inflicted on all its members by the marriage of the honorable Thomas St. Clair, the youngest son of the Earl of Rossville, with the humble Miss Sarah Black, a beautiful girl of obscure origin and no fortune." And so the stage is set for our plot, which focuses on the implications and complications of the return from France to Scotland of the Rossville widow and her daughter-heiress Gertrude, who must suffer the onslaught of relations and suitors as well as a mysterious, threatening stranger who plagues her mother. And while we suffer with Gertrude, who also may be in love with the wrong man, we enjoy a myriad of wonderful satiric portraits of the menagerie of minor characters in this lively story. (Summary by Jim Locke) Phonomaton Anaël Pigeat Phonomaton réunit des portraits d’artistes, de galeristes, de collectionneurs, de commissaires, mais aussi des portraits d’œuvres et d’expositions.Mes phonomatons sont le fruit de mes curiosités pour l’art contemporain mais aussi pour l’art ancien, parfois aussi pour d’autres territoires de la création.Ces interrogations et ces tentatives de réponses ont en commun la volonté d’élucider les gestes créateurs, en commençant par écouter pour regarder…Un podcast produit et animé par Anaël Pigeat   Un grand merci à Sylvie Astié pour l'identité visuelle, Les Films du Losange et les Blossom Toes pour le générique de "La Collectionneuse" (1967) d'Eric Rohmer, Magdalena Recordon pour ma photographie!   Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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This episode was published on April 9, 2024.

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