Heavy Flute & Crime Jazz - Cool is Where You Find It | MUSIC is not a GENRE - Season 4 Episode #32

SUPPORT ME ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE FEATURED SONG: NICK – “Come A Little Closer” (from The Metrogrande Sessions) What is jazz? At this point there are so many subdivisions that it’s not easy to define. That word – “JAZZ” – 100% evokes different sounds & ideas in every person’s head. For me, jazz has to have some form of improvisation – freedom within form – and it has to be funky, at least a little. If I were doing a podcast on jazz in general, I’d throw down some more descriptions, and even get into what I think jazz ISN’T. But that’s not what this week is about. I ask the question because this week’s spotlight albums are likely NOT the first things that come to mind when most people think of jazz. Take Heavy Flute – a compilation of jazz cuts from the 1960s & 1970s featuring flute solos. Released in 2000 (and now out of print and nowhere to be found on streaming services), it was an instant classic for me. Say “flute” to someone, and the first words that come to their mind are unlikely to be “funky” or “cool”. Yet this album proves without a doubt that the flute can be both. Ian Anderson knows this. So does Lizzo. And Walt Parazaider of Chicago. The songs on this album range from lyrical to percussive & everything in between. When you listen to it – and I do suggest looking up every song, you’re gonna get a big 1960s/70s vibe. And you’re gonna be surprised at how diverse & freakin’ cool & funky it is. My favorite is no question Rahsaan Roland Kirk. He treats the flute like everything from what it’s meant to be to a percussion instrument to a microphone. What he did was practically punk. The dude weirded out in all the best ways, and clearly influenced Walt Parazaider’s solos. Herbie Mann is a close second fave on this album, but you could start with any track and be blown away. Pun intended. Crime Jazz was released in two parts (Music in the First Degree& Music in the Second Degree). Both albums came out in 1997, and are also out of print & impossible to find on streaming. They feature ensemble jazz made especially for crime movies & TV. Think of the themes to Mission: Impossible (the old TV show, not the movie series) or Peter Gunn. Though the first one isn’t featured in this compilation, you will find other compositions by the great Lalo Schifrin. The second was by Henry Mancini and performed by Quincy Jones and his Orchestra. Check out Elmer Bernstein’s tracks too. He's always been a fave of mine. For the FULL TEXT & LINKS, go to: https://www.nickdematteo.com/podcast This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/musicisnotagenre/support Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.