Hereditary

Oh my god. Oh my god. Alissa, let's add words. Thank you.

My name is Alissa. I love those words and this is a red cherry. Oh my god. Oh, yeah.

What's that? What's that? What's that called? Satan?

The least. What's the least word of the least described Satan? I like the mouth of the beast. I don't know.

Mark of the beast. Anyway, hi. Welcome to Halloween Explorer. I'm Keira.

Cody. And you know, because you click on it. We're talking about the red cherry. The red cherry.

Be careful when you google this movie. Yes. Diseases will come up. Oh, yeah.

Cool. Your face has made such shapes. A journey. Obviously, just from here on out, you haven't seen it yet.

You're going to get spoiled. Oh, like milk honey on a hot summer day. Here we go right now. Three, two, one.

It was a demon. I am very excited to talk about this. This movie fucking out. Really?

Yes. Tell me like the aftermath. We saw it together and we talked about it. Us two and Zach and Zach was not watching this movie well.

He literally put his legs up so high that it was like his sight line. If you wanted to, he could shift it down and it would be his knee so we'd have to look at the movie anymore. And he said he wasn't closing his eyes. But he was.

Because I looked over him and I think he was asleep because I was late in showing. So I kind of like shook him and he went, oh, I'm watching it. Oh my god. And he's like, no, I haven't opened the whole time.

Also, I'm sorry Zach and you're listening, but I'm right. Out it. Also it was very cold in that theater, which I think they don't purpose to keep us awake, which is smart. But it was very niply, so I think also he was trying to get warmth.

I did give him a little bit of my sweater. Oh, cute. I was not sure if he was having a mental breakdown or cold. But I would just reach over and scratch my eye.

They were like, I'm here. Everything's okay. But yeah, so we saw the movie and afterwards as Joni Mitchell's playing over the credits. Which is like, what a beautiful version.

We were walking home and we saw 10-20 movies. It's almost 1 o'clock at this point. Right, because the fucking attractions are 20 minutes. It's so scary.

Very bad. So we're walking home and literally we walked by a playground as the first thing we walked by coming home from the movie theater. And I looked over and I saw a man in the playground and I like for a second I was like. At 2am.

Oh my god. But there was a man there. You're just like smoking or something. So I was standing there in this abandoned playground in the very early morning hours.

It wasn't Tony Collette. Very late night. And then it was like when I got home I took a left home. Oh, the big girl's town.

And we pulled down the street and there were cop cars in front of the house for some reason. And I was like, look how did I get me? And then I don't know what it was. I think it was like a public disturbance because no one looked concerned.

But it was just a... You did call me and I was like, uh oh, because we do the thing. I'm like, you know, you live in a big city. And you know, so when you call me I was like, uh oh.

Because I got in my left and I was like, I'm gonna watch my apartment. It's fine. And then I was like, this is a little head start. So I literally like, into the phone and I'm like, here are you okay?

And then you're like, yeah, I just meet her and she's like, she's fine. She's like, she's so breathing. She's like, hey, it's me. I just got the phone and I just heard.

I should have done that. I would have thrown my phone in the street. I should have done that. I'm just not that much serious unfortunately.

So we got home and we locked a lock on our door which we never locked. It was like the deadbolt on our back door which only leads to something the other apartment can access. Like no risk of coming from the outside coming in. You never know.

Oh yeah, I came home to an empty apartment. We had to watch an episode of American Vandal to like recover. Oh my god. You're a bandl- God, what a dumb show.

So dumb, so good. Yeah, so necessary. Amazing. Yeah, so that's the kind of thing.

Like I had to stay up also because I had to drink fucking Red Bull to stay awake for this late movie. So I had to like watch the office to like come down. From my home. From my home.

Yeah. And I mean we'll talk about it later but some people are like, this wasn't scary at all. Do I say, you're actually kind of crazy because I thought it's so scary. Sorry, not to you know what I mean.

Oh my god, not okay. It's definitely scary but I saw people who were like, there was a headline I just saw. I was just thinking through my phone and it was like, this movie will make your fucking bowels explode. Like it was just, I don't think- I saw someone that was like, is it too scary?

Yeah, I was like, no it's a great whole rest film but like I don't think- I was horrified. Yeah, but I wasn't, I don't know. I feel like if I'm not throwing up from anxiety then like- Fair. I think I was shooketh but I wasn't like jumping nicely but I was shaking by the end which also was really cool.

I was like, I was like, I'm just so excited. Like I mean mother, shall we? Um, mama. Mommy, what's happening?

That was very scary when she was talking like- Okay, let me just start with this. So, because I just want to say real quick the guy who- Wait, no, I'm a director what I'm saying. Director, Ari Aster. Yes.

He wrote him directly actually and this is also like his real debut. Feature film debut. Feature film debut. Right, so like casual.

Not a big deal. Whatever. JK, it's amazing. And what he's quoted is saying I think it's a good way to look at the movie when she like processed it, it's like a story about a long lived possession ritual told from the perspective of the sacrificial layout which made my nipples alright.

And I'm not bothered actually. Because yeah, because really and even in the way it was like marketed you're like, oh, this is about Charlie, this is about Charlie. Um, uh, uh, uh, honey. Oh, Charlie?

More like- Stop it. You're talking about- Oh, it's the queen. You're just taking these days please. Stop it.

Oh, don't do it. Oh, and there was like an interview with Steve Newburn who did all the miniature models that- Yeah. That was where we're going. And he was just basically saying how like, it's interesting because with the miniature you know, you're seeing the guy go how the people are being manipulated and they're being put in manipulated space without their realization.

Like just the way it started with like, because we see the obituary- For grandma. For grandma. Which was a very cool way to be like, this is what just happened. Also, it was just for fun.

It was so much text and I was so worried that was gonna be a little bit so I was like, oh my god, and then it lingered for another like minute. That is the real issue I've ever heard because I do that all the time. You're watching Star Wars sometimes I like zone out on the- Wait, I'll run all of the lines. What did you do?

Where is she? Um, where is she? Uh, yeah, so start with the obituary and then start with the pan across Tony Collette's room and you get the dollhouse of the house. Which already- It just zooms in onto the room of Peter and then it's really accurate.

You're live! Yeah, so from the get go it's like, get back a little bit. It's like showing that they're all pawns in this game that are being manipulated against their will because everything in the movie is led by fate, led by a curse. A lot of curse, like you know what I mean?

This would have happened regardless. They were marked literally. Yeah. It was a symbol.

Yeah. It was on a telephone pole to tap in her. It was an attic. It was on Tony's left neck.

Even though she was wearing. Yeah, it was a nice accessory. It was all over and out of apartment. Joan.

Oh yeah, I was like, oh, Joan, Joan, Joan. Oh no. I was like, what? I can't remember which actress she was.

I remember that she's in handmaids too. So she officially cannot be trusted. I've seen her in a few things. She's also in the leftovers of the Zandau.

She's in the compliance. She literally is always playing somebody who seems like the sweetest person on the outside but has something dark and menacing inside of them. Honey. Always.

Get that neat. She's like, oh, she's such sweet eyes. Oh. As a love-an-actor that comes of fame in their mid-to-ly-fifties.

Unlike our good friends- Yeah, I'm like her late Sam as a fellow. We are looking at her as a- Unlike our good friend Peter. Or the Alex Wolf. She's 21.

Or Tony Collette even was young when she started. She was like, well, yeah, well, she was like 25. She was like 29 in the Sixth Sense, whatever. Yeah, it's fine.

I can barely act out of the paper bag. Let me know. You know, you're doing a great acting. I just think you're doing it for your very good.

No, but I'm like that. Like Tony Collette is a fucking master. She's 27. She's 27.

She's not that kind of little dev. She's not that kind of little dev. And the Sixth Sense. And definitely, oh my god.

Yeah, so basically give me the opposite of the Tony word and hit me in the head with it. Give me a Tony Collette word, honey. Oh, no. So she doesn't have a Tony though.

She said it. So yeah, we see Peter, he wakes up. Oh, it's a funeral. So we gotta go, where's Charlie?

Oh, she's sleeping in the attic. They're sleeping in the tree house. No, she was sleeping in the attic. How was the tree house?

I could have sworn it was the attic. Because that's why because Tony Collette was sleeping in there later with the heater because it was like Charlie's place. See, fine, Charlie is sleeping in the attic. Where'd you get this?

Because there wasn't heat because they're, I don't know, it's from my IMDB. I thought it was the attic. Let's tell them this. So IMDB, somewhere he says that they find Charlie sleeping in the attic.

I was on the impression that it was the tree house. But also maybe like Ramon's spirit likes to party. I don't know, you know what? Who can ever be sure?

We can never see it again. No, it's against the law. No, it's the only seat at once. So we go to the funeral and Tenet Clats again, the eulogy, which is very like iconic.

She was a difficult person. Oh, oh, yes. Well, okay. And she's like, my mother had a DID, a sensitive identity disorder.

That is okay. Yeah, because that is interesting because in United States of Tara, Tony Collette is in. Oh. Her character suffers from DID.

Tony was like, I get this. I understand. I always think that's an piece of that show, but it's pretty rad. She's just amazing.

Pretty large. I would assume. I would assume. And she mentions my mother had her weird rituals.

Yes, she had private rituals. And private friends. Which sounds like doing things against her will. Grandma could have been a really fun time if she used her energy for good.

Because when somebody said my grandma had a lot of private rituals and friends, I thought she would have maybe do some tai chi in the morning with some people that I never met. You know, it was something like sweet. Oh, I'm going to get married to a Hell King. Throw some coins on me.

You see that there in the football. There's a child friend in the football album that she finds where she sees the grandma's dress and she's like kneeling and looking at the sky like, yes. And then throwing twice on her. Can you imagine a PA for that like shoot?

Okay, okay. Sorry, Marjorie, can you give me a little more happy about marrying a Hell King? One of the same Lucifer's Cliffs companion. Oh my God.

Thank you so much. You're doing amazing work, sweetie. What a fun day on set. I love, I love.

So Charlie is sitting there watching a funeral making a click and noise eating a chocolate bar, drawing in a sketch pad, all things. Biting into a chocolate bar. Oh, she's chilling. Not like ripping off the place like the first time.

You see her eating a lot of chocolate in the movie and it's later will be her downfall, essentially. Who's the cake? Oh, it's because of those calories, am I right? Oh, wait, she's so young and so sweet.

Also chocolate throughout history have been a symbol of like, lust and sin. Because it's like indulgence. Yeah, that's an interesting choice. And also like, yeah, she's allergic to peanuts anyway.

Or nuts in general, I think. Nuts! She's under age. I don't know.

No, no, no. So they go home and like clearly no one's overly faced by the passing. First at the funeral, there's a couple hints of something going on. So first of all, you see the necklace that Lee.

Mama, grandma. Grandma's wearing, it's like a loopy loopy thing. Yes. And Tony Klatt's wearing it and you're like, interesting.

Yeah. And you see, oh, also Tony Klatt makes mention of the fact that like, oh, so many new faces at this place. So like clearly people were at the funeral that she wasn't going to let her not receive because they were team and they said, they said no one's worshipers. And so yeah, you see new, you know, people that she's never met before at the funeral.

How do they know this lady? And one of them goes up and touches grandma's lips. Yes! And the casket?

Yeah. Maybe she's kissed the demon and they were like, I don't know. Maybe she put on some lip smackers and she's like, what flavor is that? And she's like, no, I guarantee it's like grandma's lips a little cracked.

So they have to go to the Vaseline and they're like, would you do that for me? If I were like, well, I wouldn't be. Have an open casket. But like, I would.

No, no, I'm donating everything science. I'm dating what I wanted to have a funeral first. Or something like that. You know?

She raised her hand as if we were to be like dangling her from a helicopter. I don't know. She was going to play the air with her. I just want to go out with a bang, baby.

And also somebody, one of the older men of the funeral looks over at Charlie and smiles. Which is very like, I know who you are, Charlie. Charlie. You're my little demon king.

Oh, you're my little demon king. You're my little demon king, is it? You did Charlie do anything else weird at the funeral? They say something about, there's no nut to that chocolate.

Right. So we learned that. She's allergic. I thought she maybe had a weird look on her to grandma.

Oh no, it was still so early. Fantastic. So then they go home. Clearly not too many.

They're not too fazed by this. Except Charlie is like, who's going to take your amazing? Right. They all clearly were like, you can say it was coming.

He's like, I'm fine. I mean, you know, in the dead, I get it. She was an away. Yeah.

And like, even Charlie Collette. Yeah. She's like, I'm fine. I mean, you know, in the dead, like, I get it.

She was an away. Yeah. And like, even Charlie Collette. Yeah.

She's like, I'm not doing that. She's like, I'm not doing that. Right. And like, Peter, when point's like, smoking out fucking thong.

Yeah. Smoking a bong. And when he blows smoke out of the window, you see like a POV shot from the ground. But it looks like we're just looking at him from the woods and he's blowing smoke out.

And then you see in the foreground, smoke, floating across the bottom of the camera as I see him. Yes. Yes. Which we learn later.

Right. It's true. It's just people to us. It makes sense because that like immediately up the finger, they're going to be wanting to keep eyes on this family because they know.

That's a long girl. She's like, we'll demon. My little demon, my little baby demon face. Yeah.

And so Charlie is saying to her mom, like, well, who's going to take care of me and Charlie is like, uh, what do you think I look at me? I'm sorry. Did I knock it back to you? She's out of this couch, honey.

I'll push you back. How about I dare you? Um, so that was like pretty interesting from up front and she keeps doing her little clicking noise, little click noise. That's a go.

You know what it is, bitch? You know, I don't. I read somewhere. It's the sound that it makes on her head hits the pole.

Like, it's not her head to the pole. Her decapitation. Hmm. I'm just saying that's what it's on line, but like, I don't think it's.

I think it's a maker didn't say like officially what it is. Right. But like that and also like why the show movie had this movie, he didn't have an official thing but I have like thoughts. Oh, yeah.

Well, do you want to listen to me? Oh, no. No, no, no, no. I won't take care of me.

Who will breastfeed me? Um, grandma. Oh, yeah. Cause that's what I was here.

Tony Klits says something about, oh, grandma loved you so much. I understand. Oh, what did you do? Sorry.

Sorry. He, and then also she was like, she wanted me to be boy, which is like wow. Wow. That's very interesting.

And then he had to collect like she wouldn't let me feed you. Which I thought she meant in a sense like here's the helicopter and then later she's making a fucking miniature of her grandmother. Right. Cause Tony Klits breastfeeding her in the miniature.

But then grandma's like, how about this one? Right. Like grandma, there's no mo coming out. Right.

I don't know. Right. Unless, but like, unless it's like, or maybe it's like when there's a thing where like she was saying she was feeding Charlie and Tony Klits character was like, oh sure you're feeding her. Thanks.

Thanks for that. I'm not. I'm not. She was out of her mind was somewhere else.

Oh, wait. She just like to mention that she was younger than she was. Yeah. And she's like, I got some milk in these turdies but really she's like here's some demon juice for our baby Charlie.

It's really fun because they show the miniature really kind of quickly but long enough for you to go. Oh, look at my, wait a minute. That's an old lady's breast. Grandma's breast.

Grandma's hit. It's my pink baby. Yes. I love it.

I mean also just like if I go off the idea of like the breastfeeding is even atly. Hmm. What is that? Oh, yester.

Oh, yester. I think I think what's said somewhere like pay on, pay on. Pay on. Pay on.

Pay on. Pay on. Pay on. Pay on.

Pay on. Pay on. Pay pal. Pay pal.

Pay pal. Because it was always a part of Charlie. Yes. From cradle to grave motherfucker.

From wounds to tomb of the fucker. Birth to earth. We were sponsoring ourselves. Yeah.

Yes. We learned quick eventually that payment, the hell king demon, was always in Charlie and part of the reason is so Tony Klet is a stranger from her mom. Has, is pregnant with Peter? Yes.

Has Peter. Whatever. She gets pregnant with Charlie. Something in her or maybe the grandma reaching out.

She finally goes, okay, fine. I'll let you back in my life. Maybe she'd already begun to deteriorate mentally. She's like, oh, she's here grandchildren before she dies.

So because Charlie's, well, Charlie's their team and grandma dies. So, not in a long time coming. I don't know. Either way.

She brings grandma back into her life before Charlie's even born. Yes. Which gives grandma the opportunity to be like, let me. Let me put her hands over her present, pregnant belly, feed her, make her payment from birth.

And then when the time comes, she's going to use Peter's body. Because payment wants a pain. Paying wants a pain. Paying wants a pain.

Paying wants a pain. Give them a pain. Give them a pain. Please.

I love it. I like it's all. Is that the credit? That'll be anything close to our sec.

Sorry. Yes. So, basically, because grandma wasn't there from Peter's, like, what's the word for before birth? Embryotic station?

What? Just station? I don't. Do you just think?

I don't think so. Does it mean mom's tummy? I'm growing in your mouth, Billy. She wasn't there from the beginning of Tony's life being pregnant with Peter.

I don't know. So she wasn't able to turn that male body, which is the preferred form for payment. And to payment. So she was like, okay, we'll do what we can.

Yeah, we'll make us work. Do you think she had a hand in calling and naming Charlie Charles? No, her name is actually Charles. Because later when Tony collects going through her shit, she's like, welcome Matt or Pillars.

Oh, that's Charles. And it has the symbol of pain in on it. I wasn't sure if that was her brother's, uh, Tony Collette's brother's name. Because maybe it was something like grandma made for Tony Collette when they were younger.

But it was. They didn't have Tony Collette's pill on top of it. That's what we were going to point. That's how I took it.

Okay. I don't know. Because maybe they were like, oh, it's name, her after. The first time Peter.

They probably were like, I don't name Peter. And then they go grandma back in their life. She was like, your name, named after, named Charlie after my boy. My dead boy.

She's gonna be like, no grandma. Oh, grandma's a terrible girl. We're naming her Madison. Like, everybody else is.

It's 2002. We're calling her back. Um, say the face of the story of what Charlie was put on this planet in the movie. Place holder.

Sorry, girl. Sorry. Um, do you want to talk about like what her bad actress and like? Really?

Yeah. Yeah. Really? Really?

Like Tony? She has a Tony award. Tony Collette doesn't. Um, it was an honorary Tony.

It wasn't competitive. Oh, is that? But still she has a Tony award. Was it like the best Matilda's?

Well, okay. Here's why. Some, okay. Some inside baseball.

So Millie Shapiro was one of the four girls who originally they were all from Matilda and Matilda and Matilda the musical. Chew. On Broadway. Oh, in America.

Yeah, in America. Um, a few years before Billie Elliott was on Broadway and you remember when they gave like the Tony Award for Best Actor to all three of them? Mm-hmm. So, Free Them Won won Best Actor Award and it was competitive.

Oh. So, and Matilda was opening and they were like, it could be the same thing because it's like, they're clearly the lead and it's like very similar. So, it's having the compete, leaning actress. Um, Tony's like, you know what?

I mean, yes, but Tony. Don't worry about it. Don't stress about who's gonna win. You're all gonna get him won.

That's nice. I mean, also like, you know, like you done damn, they did the damn thing. I saw the show. She's on stage the entire show.

It's insane. She's several long monologues. It's crazy that children were able to do that. That's insane.

I can't even talk now. But anyway, Millie Shapiro, yeah, she's um, she came and Broadway and now she's doing movies. I love it. And she's great.

She's great. She's amazing. She's haunting. She's really uncomfortable in her own body because it's like not her.

Because she's a demon king who wears a male body. There's a demon king trying to possess her and she's just like, you know, also allergic to nuts. Yeah, I mean, which is no fun. Yeah, that's a special table at lunch.

Cool. Nice. Yeah, so, uh, next thing that happens is next beginning is, um, first is the group. I just wanna add that to a 20 class character, Annie, she finds a no-because-no-since-biracialism.

A book has a no-since-biracialism. It's in these boxes that she has mom stuff, which is really helpful. Mom stuff. Mom's dildos.

And there's a hand written note from her that's like less than I had to do it. Sorry about it. I'm sorry for any drama that might happen, but just getting ready is gonna be goddamn-worthy. So your Annie back a lot, bitch, what said you got a real?

Honey, you got a big storm coming. What if that woman was simply the group? There's no line. So sweet.

Annie, like vocal acting. Yeah, that's where she thinks she sees Grandma in the attic or in the, um, the race with the laser on. That was amazing. It's like in the corner, and you like, it's shot in the corner.

The corner's dark and you can kind of thing. It's natural to how you do think you see shit when you're a little swooped out in like, oh, you know. Right, it's like shadowy and vague form, and it's like, and she could easily be like, oh, it's because she's on my mind. Actually, but I think it happened, and then she stared at, like, Tonya and Annie.

And grandma's smiling. Oh, yeah. And it wasn't like, oh, what a sweet smile. Like, it was sweet, but it was just knowing.

It was just knowing. It was like, I'm so excited, because once grandma dies, it's like, the next age is about to kick off. It's like, her dying sets off a chain of reactions, not only from the other followers, and dad who clearly has a heavy hand in getting this going, but it's like, now that grandma's died, and if what they believe is their spirit, which clearly is moving is like, moving around, right, hopping around. I love it.

They'll be able to get this plan's emotion, huh? I love that. The little light graph of these to represent the demon spirit. It kind of looked like when a light is bouncing off of your watch.

Yeah, yeah. I really liked it. And also the door can be, again, I always fucking talk about ghost adventures. Like, you know, how ghost adventures, and we're like, we still have weird light, and I'm like, it's kind of like that in a way.

And just the door can be, it was like, no, no. No, it clearly was inspired by that, I think. But also, I mean, if souls are portrayed as light, or from stars exploding, like we all technically are actually just light. Oh, so, okay.

I love it. I love it. We're getting real here. So this would be the light is like, deep and topping around the bodies.

I love whatever. Oh, God. What's going on? What is going on?

So, okay, after she sees grandma in the attic, or in her room, she goes to grandma's room. What was grandma's room? Oh, no, it was in the work room. Right, right, because she goes to grandma's bedroom, which the door was open.

Right. She's like, who let that in? Yeah. She was a giant triangle on the floor.

Yeah, and she just didn't notice it. She's like, oh. Or she's not that she's like, grandma. Classic grandma.

I mean, she just must be sorry. I keep hitting on her. Must be so easy to discount a lot of the stuff that she probably was saying, which was actually based in truth for about demons and stuff, or whatever, because she's losing her mind. Right.

She's like, oh, she's talking about the people, whatever. Yeah, triangle on the floor. She's talking about naked people outside the house. Crazy.

Where are you crazy? I'm like, come down. So next, Charlie's in school, and notice the bird hits into the window, which is cool. Super fun.

But it's a good jump scare for the moment. Yeah. Oh, the other kids like, oh my God. That's sweet.

Sweet. She doesn't make it a toy under her. Yeah. Yeah.

Yeah. She's making some shit. We don't know what. She comes outside.

She cuts the head of the bird off, which is funny for later. Put it in her pocket. Put it in her pocket. And then across the street, she sees someone waving her.

We don't know. It's a little lady who's like, hi. Hey, queen. And you can tell that it's very rosemary's baby.

Yes. This may mean it's hard just like right here. Yeah. I'm here.

In the way of people around you seem to have a menace and no more than you know. And you can tell that person probably was told, like, I don't interfere with this child. Yeah. But she probably just was following her and making sure everything is cool.

Yeah, because then John does it later with Peter when she sees Peter and she goes, I expel you. And then later, Peter, Peter bounces his face in. So I wonder what that job is. Like, all right, Susan, you've got to go out there.

Right. And you've got to like, I don't know. Like is she like watching over this child? Is she actually putting plans in motion for like witchcraft and stuff?

Or is she just, or I mean like spirituals? Or is she just kind of like sneaking out stairs like the present of the tree for your parents? Oh my god. Edgy on the sea, Charlie.

She's like, I'm like she's a character. Yeah. Yeah. So what do you think is with Charlie making all these toys?

All like different toys and bodies and heads slammed together. Well, there's something interesting with the heads. I wonder if it's just like, well, because payment, payment? Payment.

I was looking at it according to like the mythology or the folklore or whatever. Payment is just like born with a crown on his head. Same. Oh, amazing.

So I wonder if it's just like something within the vein of like heads and crowns and just the royalty of it. And so I mean, I should take the birds head off as you do. And then she put it on something else. Like you said, I don't know.

I wonder if it's just like in that it's just part of the getting shit ready. Yeah. And like she doesn't, Charlie doesn't realize what she's doing. But payment in her body.

Like we're getting ready. We're getting the s'mores ready. And we're getting the stage. We're playing the campfire, but yeah.

Similar to that, I think it also, to like take it a little bit further, I think the idea of like taking different bodies, putting different heads on them like she's doing is similar to the idea of like taking a body like Peter and putting a different soul or like being into it. I believe like the being or the soul person mostly exists like in the brain area. It's where all your personality is and stuff. Like it just sits on there, maybe.

Get it out. Get mine out. Get me a new one. Hey, just like.

Yeah, yeah. I don't want to check, please. So yeah, it's just like a thematically, you know, works. Yeah.

So Steve is Annie's husband who's like a little older. He's like 15 years older. Yeah, but like also whatever. Plus, yeah, I was like not against it.

He finds out he gets a call that the grip has been integrated. He doesn't tell Annie because I don't want to stress her out. Like please run it up back way later in the movie. It's such a good check on gun because you forget about the gun.

And then like just like that's convenient. It's like hearing it bang. But like how serious actually was just buried? Well, I guess that that's when people would do it because the ground is still easy to move.

Also like they clearly are the followers of him and are like it's in to move. Because playing like plays. I feel like the second the funeral is over and everyone left. They're like, cool.

We're still here. We hung out. We waited at the friendlies across the street and now we can come in and take this body and job this out. Finally.

It's so spooky the way they like because Gabriel burns on the phone and he's like hello, yes. Yes, this is him. What do you mean desecrated? Which like it's a little cheesy screenwriting.

What do you mean desecrated? What are you talking about me, Mr? Desecrated? I've never even heard that.

Desecrated? I barely ate it. How do I change every single thing? Where's that demon?

Come back. I put this secrete and desecrate. No, you thought of that and you tried. But no.

So what happens now? It's next when Charlie sees the glowing light and then she goes outside of the grammar on the fire or like, trying to fire. That's the next thing that you're therapy. That's the next thing that you're therapy.

So we learn Annie goes to a group therapy. How does she get there? It's a new one. It's obviously the first time going because it's like a losing your loved one's group therapy.