History of the Definition of Romance as a Genre episode artwork

EPISODE · Apr 14, 2026 · 1H 45M

History of the Definition of Romance as a Genre

from Reformed Rakes · host Reformed Rakes

What makes something a romance novel? Most readers probably have an intuition of where their definitional lines are, and what are the make or break points, pushing something out of “romance” and into a neighboring genre. Critics and professional organizations of authors and publishers might provide a definition, for analysis or award purposes, to create parameters around what is the in and out group. Today’s episode is less about answering the question “what is a romance novel” and more a historiography of that question. When do we start asking it? How have the answers changed in the long arc of romance history? Who gets to decide what the final, be-all, end-all definition is? Are we ever open to change?Support us on our Patreon!Visit our website for transcripts and show notes: reformedrakes.comFollow us on social media:Twitter: @reformedrakesInstagram: @reformedrakesBluesky: @reformedrakesBeth’s SubstackChels’ SubstackEmma’s SubstackThank you for listening!

What makes something a romance novel? Most readers probably have an intuition of where their definitional lines are, and what are the make or break points, pushing something out of “romance” and into a neighboring genre. Critics and professional organizations of authors and publishers might provide a definition, for analysis or award purposes, to create parameters around what is the in and out group. Today’s episode is less about answering the question “what is a romance novel” and more a historiography of that question. When do we start asking it? How have the answers changed in the long arc of romance history? Who gets to decide what the final, be-all, end-all definition is? Are we ever open to change?

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History of the Definition of Romance as a Genre

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This episode was published on April 14, 2026.

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What makes something a romance novel? Most readers probably have an intuition of where their definitional lines are, and what are the make or break points, pushing something out of “romance” and into a neighboring genre. Critics and professional...

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