How Cutting Edge built a $1bn portfolio in overlooked film & TV music w/ Tara Finegan & Philip Moross

Most music investors focus on hit songs. Cutting Edge Group built a billion-dollar business around the music inside film and television instead.In this episode, CEO Philip Moross and COO Tara Finegan explain how media music really works as an asset class — from the copyright structures that make it more defensible than commercial catalogs, to the performance royalties that flow every time a film or TV show is watched anywhere in the world.We also explore what actually creates value after acquisition. Cutting Edge isn’t just buying catalogs — it’s actively managing them: tracking royalties across global markets, partnering with composers, and working with studios to unlock revenue most investors never see.Along the way we discuss the strategy behind deals with Warner Bros Discovery and AMC, why media music has historically been overlooked, and what it takes to build an operating platform in a rights market most investors barely understand.Brought to you by Standard Innovation.► Stay up to dateNewsletter: ⁠⁠⁠⁠⁠⁠https://standard-innovation.com/subscribe/music-moneyball⁠⁠⁠⁠⁠⁠LinkedIn: ⁠⁠⁠⁠⁠⁠https://www.linkedin.com/company/standard-innovation-ltd⁠⁠⁠⁠⁠⁠► About Standard InnovationStandard Innovation is the data consultancy that helps music investment funds unlock higher valuations and exit multiples through better infrastructure.► Episode LinksCutting Edge Group: ⁠https://www.cuttingedgegroup.com► CreditsGuests: Tara Finegan, COO & Philip Moross, CEO, Cutting Edge GroupHosts: Tom Mullen, Sam Morey, Emma GriffithsTheme: “Meet Me” — Outlines (Written by Sam Cox) — Courtesy of Bespoke Records