How Do I Recognize Secondary Dominants In Jazz?

In this episode of the Learn Jazz Standards Podcast, Brent answers a question from inner circle member Kevin Pritchett about recognizing and using secondary dominants in jazz standards. Brent explains the concept of secondary dominants and he illustrates the idea using a one, six, two, five chord progression in the key of C, emphasizing the importance of turning the six chord into a dominant seventh chord to tonicize the following two-chord. He highlights examples of secondary dominants in jazz compositions, such as rhythm changes and "But Not For Me." He addresses Kevin's question on recognizing and applying secondary dominants by emphasizing the importance of analyzing jazz standards, learning new tunes, and understanding where secondary dominants naturally occur. Brent concludes by discussing the application of tension and resolution in improvisation over secondary dominants, showcasing how jazz musicians enhance their lines with added complexity and interest. Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastLearn Jazz Standards Inner Circle: Get 50% off your first month!