How Music Supervisors for Film and TV Source the Perfect ...

What this episode covers

This week, host Isaac Butler talks to music supervisors Bruce Gilbert and Lauren Mikus, whose most recent projects include the Hulu series Only Murders in the Building and the the multidimensional action movie Everything Everywhere All at Once. After the interview, Isaac and co-host June Thomas talk about music choices in film and TV and discuss whether it’s better to pick well-known hits or more obscure deep cuts. In the exclusive Slate Plus segment, Bruce and Lauren talk about the taste-making aspect of their job. Then they explain their process for creating a uniquely New York sound for Only Murders in the Building. Send your questions about creativity and any other feedback to [email protected] or give us a call at (304) 933-9675.Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Big Mood, Little Mood—and you’ll be supporting the work we do here on Working. Sign up now at slate.com/workingplus. Hosted on Acast. See acast.com/privacy for more information.

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Frequently Asked Questions

How long is this episode of Working?

This episode is 49 minutes long.

When was this Working episode published?

This episode was published on June 12, 2022.

What is this episode about?

This week, host Isaac Butler talks to music supervisors Bruce Gilbert and Lauren Mikus, whose most recent projects include the Hulu series Only Murders in the Building and the the multidimensional action movie Everything Everywhere All at...

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