How Prey Sets a New Standard for Indigenous Representation With Producer Jhane Myers and Sunrise Tippeconnie – The Cinematic Schematic

It’s been thirty-five years since Arnold lathered himself in mud and shouted the now iconic internet meme, “Get to the chopper,” in Predator, and against all odds, the franchise has found new life in the latest entry streaming on Hulu, Prey. In today’s special The Cinematic Schematic podcast interview, we are spotlighting some of the incredible behind-the-scenes talents that helped bring Prey to life! Coming right off the heels of the critically and financially underwhelming The Predator(2018), director Dan Trachtenberg(10 Cloverfield Lane, The Boys) and Patrick Aison’s new take on the iconic hunter was greenlit and this time, things looked a little bit different. Audiences would be sent back in time 300 years, and instead of following a bodybuilder or wisecracking action movie hero with guns, this story would star a Comanche nation woman named Naru who uses her wit and determination to face down the 20th Century Studios alien icon. Before we go any further, we know what you’re thinking…are these really the best people to tell a Comanche story? Following the initial pitch, in steps Jhane Myers, a Comanche and Blackfeet American Indian who is known for her attention to detail and dedication to producing, Native language, and […] The post How Prey Sets a New Standard for Indigenous Representation With Producer Jhane Myers and Sunrise Tippeconnie – The Cinematic Schematic appeared first on The Cinematropolis.