How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics episode artwork

EPISODE · Nov 18, 2020 · 1H 2M

How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics

from The No Film School Podcast · host No Film School

After serving as a second unit director of photography on movies like The Matrix Trilogy and Dark City, Ross Emery was tapped to be one of the key cinematographers on the new series Raised By Wolves, where he got to work with one of his all-time film heroes: Ridley Scott. In fact, it was Scott's 1982 classic Blade Runner that made Emery fall in love with movies as visual art. Emery regales us with stories that you don't want to miss, everything from working with the Wachowskis and the incredible team they assembled, to the madness of The Island of Dr. Moreau. (Yes, he was on that set, too.) Emery's style and approach are distinct and he's been around the block, so pull up a chair and listen. Check out more interviews with great DP's: David Fincher's Longtime DP Jeff Cronenweth Has Advice, Insight, and Stories 'Lovecraft Country' DP Michael Watson On Shooting During COVID-19 Darren Aronofsky's Rockstar DP Matthew Libatique Talks Career and 'Requiem For a Dream' Anniversary Please email us any questions or comments at [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

After serving as a second unit director of photography on movies like The Matrix Trilogy and Dark City, Ross Emery was tapped to be one of the key cinematographers on the new series Raised By Wolves, where he got to work with one of his all-time film heroes: Ridley Scott. In fact, it was Scott's 1982 classic Blade Runner that made Emery fall in love with movies as visual art. Emery regales us with stories that you don't want to miss, everything from working with the Wachowskis and the incredible team they assembled, to the madness of The Island of Dr. Moreau. (Yes, he was on that set, too.) Emery's style and approach are distinct and he's been around the block, so pull up a chair and listen. Check out more interviews with great DP's: David Fincher's Longtime DP Jeff Cronenweth Has Advice, Insight, and Stories 'Lovecraft Country' DP Michael Watson On Shooting During COVID-19 Darren Aronofsky's Rockstar DP Matthew Libatique Talks Career and 'Requiem For a Dream' Anniversary Please email us any questions or comments at [email protected]! Learn more about your ad choices. Visit megaphone.fm/adchoices

NOW PLAYING

How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics

0:00 1:02:20

No transcript for this episode yet

We transcribe on demand. Request one and we'll notify you when it's ready — usually under 10 minutes.

Frequently Asked Questions

How long is this episode of The No Film School Podcast?

This episode is 1 hour and 2 minutes long.

When was this The No Film School Podcast episode published?

This episode was published on November 18, 2020.

What is this episode about?

After serving as a second unit director of photography on movies like The Matrix Trilogy and Dark City, Ross Emery was tapped to be one of the key cinematographers on the new series Raised By Wolves, where he got to work with one of his all-time...

Can I download this The No Film School Podcast episode?

Yes, you can download this episode by clicking the download button on the episode player, or subscribe to the podcast in your preferred podcast app for automatic downloads.
URL copied to clipboard!