How Working Within Extreme Constraints Actually Benefits Your Film episode artwork

EPISODE · Jul 9, 2018 · 44 MIN

How Working Within Extreme Constraints Actually Benefits Your Film

from The No Film School Podcast · host No Film School

Emmy-winning director Madeline Sackler, Cinematographer Wolfgang Held (BRÜNO, PARTICLE FEVER) , and actor/producer Boyd Holbrook (LOGAN, NARCOS) join No Film School’s Liz Nord to share how they pulled off one of the most amazing behind-the-scenes production stories we've ever heard. Their narrative feature O.G. and documentary IT’S A HARD TRUTH AIN’T IT were both shot simultaneously in an active maximum-security prison. The documentary is co-directed by 13 incarcerated men and the feature was cast with more than 90% real inmates as extras and even as one of the leads. This conversation and the huge steps these filmmakers had to take to get their projects made—including spending an hour each way going in and out of prison security with all their gear every single day of production—will be an inspiration to anyone who has lofty goals but big constraints for their independent films. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode metadata supplied by the publisher feed · Published Jul 9, 2018

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How Working Within Extreme Constraints Actually Benefits Your Film

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