Hybrid Styles in the late 19th Century

Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry! Today, we have a very interesting discussion about hybrid styles. You might be wondering what this means, and I think it actually revolves around one question: What happens when composers merge national traditions, older musical forms, and new harmonic languages all at once? Composers mentioned as hybrid composers: Franck, Fauré, Saint-Saëns, Chausson, D'Indy, Dvořák, Grieg, Tchaikovsky, and Borodin.Buy me a Coffee: buymeacoffee.com/betweenthebarlinesMusic mentioned in this podcast:Franck Symphony in D minorFranck Violin Sonata in A majorFranck Symphonic VariationsFranck String Quartet in D majorFauré RequiemFauré NocturnesFauré Pelléas et Mélisande SuiteSaint-Saëns Organ SymphonySaint-Saëns Piano Concerto No. 2Chausson PoèmeChausson Symphony in B-flat majorD'Indy Symphony on a French Mountain Air