“Hyperpop and Queer Noise” with C. Jade MacDonald

What does sound have to do with sexuality? C. Jade MacDonald has some fascinating insights on the queerness of noise, on trans voices in hyperpop, and on sound in literature. Learn about the queer kinship created by remixes and covers in contemporary music, but also about which sound technologies are historically entangled with sexology. My favourite bit: hearing about how Gertrude Stein resonates with SOPHIE.  References:C. Jade MacDonald (2024) “The Alien Resonances and Queer Obscurities of Hyperpop’s 100 gecs” Journal of Popular Music Studies, 36.2, pp. 76-98.C. Jade MacDonald (2025) "'A Story that Wasn’t in the Words’: Music, Mothering, and Minor Figures" in The Crossroads of Music and Literature: New Essays on the Muse of Song, edited by Kelly Baron and Andrew DuBois, pp. 113-28.C. Jade MacDonald (2027) "Their Lover's Noise: Modernism's Queer Phonographies" in Routledge Companion to Literature and Sound, edited by Birgitte Stougaard Pedersen and Maria Engberg.Foucault’s The History of SexualitySaidiya HartmanJulie Beth Napolin’s "Unrecordable Sound: Media History, Technology and the Racial Unconscious" in Anna Snaith, ed. Sound and Literature (Cambridge UP, 2020)Jonathan Sterne’s The Audible Past: Cultural Origins of Sound Reproduction (Duke UP, 2003)Sara Ahmed’s Queer PhenomenologyAlthusserGertrude SteinSOPHIE100 gecs’ “money machine”Wendy CarlosDorian ElectraCharli xcxA.G. CookKodwo Eshun’s More Brilliant Than The Sun: Adventures in Sonic Fiction (Quartet Books, 1998)alien sonoritiesAlice B. ToklasEdmund HusserlAlexander G. Weheliye’s Phonographies: Grooves in Sonic Afro-Modernity (Duke UP, 2005) Grace E. Lavery’s Pleasure and Efficacy: Of Pen Names, Cover Versions, and Other Trans Techniques (Princeton UP, 2023)Perverse sincerity Simon & GarfunkelShakiraGorillaz “Feel Good Inc”@[email protected] Josie Clements’ Persona (Little Puss Press, 2026)  Questions you should be able to respond to after listening:     Why might noise be queer?     How is voice usually perceived in music? What might the distortion and non-human quality that hyperpop can lend voices signify in relation to transness?     What does Jade say about remixes and covers? Do you see them as queer kinship?     Why does Jade speak about 100 gecs? What is this example illustrating?     Please listen to at least one musician that you heard about on this episode and think about whether you can hear any ‘alien resonances’.