IBES2024 #15 Nicht bewegen, ich komme!

from Radio Island · host Visa Vie, Max Richard Leßmann, Seven.One Audio

Pünktlich zum Wochenende werden wieder die wirklich wichtigen Fragen gestellt. Was hat uns RTL an Szenen vorenthalten? Wie wichtig ist Deeptalk? Welches Tier ist Max und ist das eine gute Frage fürs erste Date? Sind manche Kandidaten Zauberer mit besonderen Mächten? Was ist der Anthony-Index und wird es eine Iltis-Verschwörung der Glückseligkeit geben? Seit über zwei Wochen gehen Lottie und Max jede Nacht für euch ans Limit und diesmal sogar darüber hinaus, aber hört selbst hier bei Radio Island! Du möchtest mehr über unsere Werbepartner erfahren? [**Hier findest du alle Infos & Rabatte!**](https://linktr.ee/radioisland) Folgt uns gerne für mehr Insights auf Social Media: [**INSTAGRAM**](https://www.instagram.com/radioisland.podcast/) [**TikTok**](https://www.tiktok.com/@radioisland.podcast)

Episode metadata supplied by the publisher feed · Published Feb 3, 2024

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IBES2024 #15 Nicht bewegen, ich komme!

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Dragnet Entertainment Radio The Dragnet radio show was a groundbreaking and influential police procedural drama that ran on NBC from 1949 to 1957. Here are some key things to know about it:Main Features:Focus: The show followed the cases of Sergeant Joe Friday and his partners, primarily in the Los Angeles Police Department. It depicted the real-life work of detectives, including the tedious investigation process, interviews, stakeouts, and occasional danger.Realism: Jack Webb, the show's creator and star, aimed for authenticity. Episodes were often based on real cases, with details changed to protect the innocent. The dialogue was direct and unvarnished, mimicking the way police officers actually spoke.Famous Intro: The show's opening sequence is iconic: the announcer's voice declaring "This is the city... Los Angeles... California..." followed by the signature "dun-dun-DUN" theme music.Impact:Pioneering Police Procedural: Dragnet is considered a pioneer of

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This episode was published on February 3, 2024.

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