Iceland to Moldova in 50 Minutes: The Joy, Madness and Method of the UEFA Club Tournaments' Qualifying Rounds

Gent in Belgium. Rasgrad in Bulgaria. Mostar in Bosnia. Borås in Sweden. Tiraspol in, well, Moldova. Or Differdange in LuxemburgIf you know where these places are, have some sense of what it looks like there, what the vibe is, perhaps it is because of the early UEFA club competitions' qualifying rounds. It is for me. If it isn't for you yet, it's time it was. I know I’ve often said in the past this podcast is intended to look beyond the big leagues, beyond stars and their goals, but never have we cast the ned so deeply and widely as today. Lee Wingate is the Visiting Professor today, an Englishman who lives in Vienna. He shares with us his deep knowledge of the faraway corners of European football, corners that are on full display during these weeks, because it’s the best season of them all: the qualifying rounds for the European club tournaments are on. How these tournaments work, what countries, teams or scenic grounds to watch out for - listen in. HELPFUL LINKS FOR THIS EPISODE:The SweeperUEFA Europa League 2024/25UEFA Conference League 2024/25NEW: send me a text message! (I'd love to hear your thoughts - texts get to me anonymously, without charge or signup) Please leave a quick voicemail with any feedback, corrections, suggestions - or just greetings - HERE. Or comment via Twitter, Instagram, Bluesky or Facebook. If you enjoy this podcast and think that what I do fills a gap in soccer coverage that others would be interested in as well, pleaseRecommend The Assistant Professor of Football. Spreading the word, through word of mouth, truly does help. Leave some rating stars at the podcast platform of your choice. There are so many sports podcasts out there, and only ratings make this project visible; only then can people who look for a different kind of take on European soccer actually find me.Artwork for The Assistant Professor of Football is by Saige LindInstrumental music for this podcast, including the introduction track, is by the artist Ketsa and used under a Creative Commons license through Free Music Archive: https://freemusicarchive.org/music/Ketsa/