Inside My Shot Listing Process: How I Direct Storyboards

If you’re a filmmaker, director, animator, or storyboard artist trying to create a better shot list, communicate with storyboard artists, or turn a screenplay into visual storytelling, this episode dives deeper into my storyboarding and shot-listing process for an animated feature. I answer practical questions about how detailed a shot list should be, when to cut to a new shot, how editing influences my directing choices, how I use floor plans to maintain blocking and the 180-degree rule, and how I approach action scenes differently from dialogue scenes. I also break down how much creative freedom I give storyboard artists, why upfront preparation reduces revisions, how I organize hundreds of visual references, when storyboards move into the animatic, and how the process changes once you can watch the entire movie in sequence. Whether you’re storyboarding animation or planning a live-action film, this is a practical look at building a visual language with your collaborators without micromanaging them. One principle drives much of the workflow: rather than cutting simply because you can, start with the first shot the scene needs and hold it until the story gives you a reason to move somewhere more interesting. Shot List Template: Watch the shot list template on YouTube Part 1: Turning a Script Into Storyboard Shots | My Workflow Watch Part 1 on YouTube 🚀 Looking for a Creative Collaborator or Coach? Whether you need help launching a podcast, shaping your story, editing a video, or navigating the artist’s life—I’m here to help. ✅ Work with me 🔔 Subscribe for movie reviews, creative coaching, and mindset tools for storytellers. 📬 Want exclusive breakdowns and behind-the-scenes content? Join me on: Patreon Substack🎬 My Films The Love Market Finding Love in Bogotá The Arbiters📚 My Books Elan, Elan Master Mental Fortitude In Search of Sunrise Hollywood Dreams on a Shoestring Budget